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VARRIO SOTEL 13

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Initials “S13”

Varrio hand sign is the backwards two handed “S”
Left hand over the right hand

Bandana Color: Brown

Varrio claims WEST LOS

Started out in the 1950's

Started out as a Car Club

OG name "THEE FALCONS"

Stoner Park = the heart of the Varrio

Clikas:
Diablos/Devils
Niteowls
Dukes
Chicos Locos
Peewees
Pachucos

Borders:
N ~> Santa Monica
S ~> Pico
W ~> Centinela
E ~> The 405

UNI HIGH
University High School





Sotel 13 is an old West Los Varrio, which dates back to the 1950's.

The Varrio name is derived from the West L.A. community/neighborhood of  SAWTELLE

SOTEL is very much in line with the old school Pachuco way of baptizing their barrio names with; for example..

WILMAS for Wilmington
LONGO for Long Beach
PACAS for Pacoima
BOLEN for Baldwin Park
SAN GRA for San Gabriel
so on and so on..

 

Sawtelle was always a mix of lower and middle-income residents but it was never a barrio as we tend to perceive places like East Los or Sal Si Puedes in San Jo. Their neighborhood consisted of primarily lower-income housing, but due to real estate values jumping up, they are slowly losing their streets to richer folks moving in and buying up more and more properties. There are still a lot of Latino residents in that area despite the gentrification and re-development but little by little, they're being pushed out.

Sotel has always been a fairly small but tight knit Varrio. That's their strength. I can't imagine Sotel the Varrio dying out. Some other cliques and clubs have come and gone in that area, like the West Side Crazies, West LA Trippers, West LA Party Boyz, West Los 13 and West Side Locos 13, but Sotel has always survived.

Sotel started out in the 1950's as Thee Falcons de Sotel, which was more of a Lowrider club. It is said that in the 1960's the Chicano cliques of the West Los (Santa Monica, West L.A., Venice, Culver City/Mar Vista and Sawtelle) caught on to the East L.A. cholo style and reinvented themselves as Varrios. Thee Falcons became SOTEL 13 and some of the other cliques became Venice 13, Santa 13, Via, etc. Most Sotel Homies live around the Brockton Avenue and Norris Terry elementary school neighborhood, centered mostly around Stoner Park, at least that is "historically". They're a very spread out Varrio, so you will only catch them together only at their hang out spots. Their main click now is the Diablos and they usually wear the San Diego Padres lid, which stand for Sotel Diablos.

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VARRIO FLORENCIA 13

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When most gente think of L.A. Varrios, they think of East Los, Boyle Heights, the San Gra Valle or Central Los Angeles. They would be surprised to know that much of Los Angeles Varrio history actually happened in SOUTH L.A., Although South L.A. has been known primarily for its Black gang activity, there have existed from time ever olden many enclaves of Raza scattered throughout the South Side.

Before the Second World War, many immigrants and Raza Locals were hired by the railroad and the "Red Line" electric car company to lay track and work on the rail lines between Los Angeles and the Port/Harbor Areas of San Pedro + Wilmington and Long Beach. Some workers settled in various areas of South Los Angeles. Here the small markets and businesses catered to the Spanish speaking communities. Many of the Raza Varrios which were spawned before and after the war take their names from the colonias/barrios and streets in this greater South Los area.




Amongst the very olden and greatest!!!

FLORENCIA 13

Name derives from their birth grounds around Florence Avenue and the Community of Florence in South Los Angeles.

Florencia allegedly started near Florence and Atlantic and at one old point back in time they’ve actually said to have claimed the whole stretch of Florence Avenue from Inglewood to Santa Fe Springs.

Thus the F13 Varrio got its name from that same Avenue, “Florence Avenue,” which runs east and west, parallel and between Slauson and Firestone Avenues.



Official initials “F13”

Other forms . .
FX3, EFE13, EFEX3, and SSF13

The 13 is meant to signify that FLORENCE was/is CRAZY!

The 13 stood for the letter M in the Alfabeto . .
and M stood for Mota . .
A.k.a. Mariguanos = Locos (Crazies) !!!

“VIVA LA CRAZY FLORENCE” !!!




The Florencia Varrio from the onset has used the "13" in their name, but its original meaning has now morphed to show their strong allegiance to the Mexican Mafia which also adopted the 13 numeral in the Fifties, but in a twisted form of the original letra “eMe” which then went on to signify and stand for the “Mexican Mafia”.

Many early members of the notorious Mexican Mafia were recruited from the Florencia Varrio. All the Varrios from the South L.A. area are veteranos de un chingo de batallas with Black gangs. Often outnumbered by rival Blacks, the local OriGinal South L.A. Varrios like F13 (amongst many others) went on to earn up a reputation for fierceness and this made them prime recruits in the Mexican Mafia's war against Black gang members in the prison system.

Pero serio pedo Holmes . . ALL Raza from whatever Varrio, if they're hard enough, and cling to the old stilo . . can get themselves sponsored and initiated into La eMe. Just like so many Vatos from so many Old Varrios like the Avenues, White Fence, Hazard, y simon, tambien "Maravilla"!!!

F13 history is one that dates back to at least the 1950s, with some even claiming their Varrio dating back to the 1940s.

In the Fifties the F13 Varrio adopted a 1950's Doo-Wop" song, "Florence" by the Paragons, as its theme song. This rolita was said to often be requested and played by DJs like Huggie Boy or Wolfman Jack on the radio to let everybody know Florencia was in town as an implicit challenge to rivals. La Florence rolita was also played at Mexican weddings, quinceañeras, bautismos, y borlos, wherever Florencia Varrio members were present in any numbers.

F13 Homeboys have always been adamant about their allegiance to the South Side, and have refused to claim any other Side no matter where they live or where they set up camp. They have always claimed South Side and never ever any other L.A. Side!



They are a very large Varrio and have many klikas throughout South Side Los Angeles and the South East Side, stretching from East Sur Centro, Huntington Parque and Florence onto South Gate, Paramonte, Downey, Bellflower and beyond.

Florencia tambien tiene un chingo de klikas outside of L.A.County, mainly towards Orange County where they may be the largest L.A. Varrio claiming terrenos y calles en el Condado de Orange.

They also have cliques in Las Vegas and in other towns and cities of the U.S.A. in particular on the West Coast from Oregon and Oakland, down to Sur Califas and even Tijuas where they have numerous Vatos claiming eFe 13 all over the Colonias (Neighborhoods). They are also said to be amongst the largest L.A. Varrio in Mexico City (the biggest city in the whole wide world) where they are neighbored and rivaled by other transplant L.A. Varrios like Dieciocho y La Mara Salvatrucha.

F13 like so many other L.A. Varrios in the last 2 or 3 decades (80s and 90s), they have cliqued up (incorporated) other Gangs and Krews into their ranks. These Krews and others have not only served to swell up their membership, but give testimony to the strength and power that F13 exerts all around the grounds.

F13 has traditionally beefed against any Varrio from the West Side, especially and particularly Barrio Eighteen STreet. Florencia and 18ST have long been rivals but the situation got worse when 18ST, a West Side Varrio started a South Side clique which consolidated ground and grew in numbers in South L.A. around the late 80s.

Florencia 13 has always been and continues to be one of the biggest Varrios in all of L.A. and they have kept up a reputation for being one of hardest Varrio throughout the years tambien.



F13

The Cliques!!!

DIABLOS
MALDITOS
NIGHT OWLS
TERMITES
MIDGETS
TOKERS
JOKERS
BAGOS
LIL RASCALS
PEEWEES
EAZY BOYS
MIDNITE BOYZ
DREAM BOYZ
FRONT HOOD
ASSASSINS
MATONES
MALOS
LOCOS
TINY LOCOS
SOUTH SIDE LOCOS
HOLMES GANGSTERS
NEIGHBORHOOD DUKES



RUNNING THE STREETS FROM THE FIFTIES TO THE OCHENTAS
57TH, 62ND, 64TH, 66TH, 67TH, 68TH, 75TH, 81ST, 84TH, 85TH, 87TH Y MAS!!

SOUTHERN EMPIRE Forum Link

VARRIO DIAMOND RIFA

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DIAMOND STREET

Claims = WEST SIDE =

Old Initials; VDR,

Newer Initials; DST,

Diamond ChicoS; C<>S

The Varrio is located;
At L.A's. Rampart District
~> Temple-Beaudry Area

El Corazon del Varrio
"THE STAIRS"
Court Street and Boyleston





Homeboy’s cliques;
DIAMONDS (Originals)
WINOS
PEEWEE DUKES
TINY VETS
CHICOS

Home girls clique;
PEARLS

La Rola del Varrio
“DIAMONDS AND PEARLS”



Varrio Diamond is one of the oldest Varrios on the West Side, as well as one of the hardest and most respected all around. The greater Varrio was located dead smack in the middle of the other olden neighborhoods like Bunker Hill, Palo Verde/Alpine, Angelino Heights and Belmont Heights. Over to the east was the Varrio Alpine and to the west the Bunker Hill Barrio stretched all the way to meet with the Market Barrio on 3RD and Broadway. Bunker Hill together with the Temple-Beaudry greater area were Varrio Diamond was born, survived until the late 50’s when the area was targeted for urban renewal. The build up of the Civic Center and the subsequent construction of the 110 Freeway, destroyed not only a good chunk of Bunker Hill but a large section of Varrio Diamond as well. Today, the birthground "DIAMOND STREET" proper, is cut off in half by the freeway. The Varrio nevertheless has maintained itself strong ever since on the West Side of the freeway; even with the destruction of part of its neighborhood and the build up of adjacent areas. Some claim Diamond was started in the very early 60s, still others claim the orgins of the Varrio go back to the 1930s. But whether Varrio Diamond is from the 30s, 50s or 60s, the fact remains that Diamond is an original West Side Varrio that is hardcore to the bone and has represented the Chicano style to the fullest!



Ps. Special gracias to Martinez for his contribution for Diamonds History.


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VARRIO EAST SIDE CLOVER

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EAST SIDE CLOVER

Initials: ESC, C19, CST

213 Area Code

Bandana Color: GREEN

Logo: THE 3 LEAF SHAMROCK, aka LUCKY CLOVER.
The plant most often referred to as shamrock is the clover and has served as a good luck symbol since the earliest times.

Hand sign: Big C (Pending Art)

The Varrio is from the later 1920s or early 1930s.

1950s Car Club: Thee Phantoms

Original clique: Leprechauns (Duendes)

Later cliques:
Jokers
Tiny Jokers
Calle Sichel Locos
19 Street (Avenue 19)

Irish and Mexicans where the first membership, but as the years went by, it became predominantly Italian and Mexican. But today, even though there still remains a sizable Italian population in The Heights, the Mexican/Chicano population by far supplies the majority of members to the Varrio ranks.

Varrio name origin stems from: “CLOVER STREET” proper; obviously named because the Irish first settled in Clover Heights or possibly from the large clover fields which existed there. Clover fields and wild mustard grew rampantly in those early times.

The EAST SIDE part of the Varrio name stems from the fact that when this section of greater East Los Angeles became officially renamed Lincoln Heights in 1917, as endearing as the new name was to become, it was still common for residents to refer to their neighborhood as “The East Side.” To this day, when older residents talk about The Heights, they’ll often say
~> “You know, The Eastside.”

Even the old LAPD quarters located by the Five Points (the intersection of Pasadena Avenue, Avenue 26 and Daly Street), was known as the East Side Police Station, until the Police Commission in 1919 changed the name to Lincoln Heights Police Station, so as to reflect on official records.

Another remnant of the name “Eastside” was the Eastside Brewery, which then became Pabst/Eastside Brewery, then Pabst Blue Ribbon Brewery, and in present times referred to solely as The Brewery. This is where the locals got their cold long neck bottles of “Eastside Beer”, it was really good stuff and cheap too.

The Old Clover Street community was bounded by the railroad on the south, the L.A. River on the west, North Broadway to the north, and EastLake (Lincoln Park) on the east. It was a close-knit community and everyone knew everyone else.

Officially, the Varrio East Side Clover, as well as the Varrios of East Lake 13, Happy Valley, Rose Hills, East Side 18 Street and Varrio Lincoln Heights are all located within the greater Lincoln Heights district surrounding Lincoln Park, aka East Lake.
But CLOVER itself is located in an enclave that was oldenly known as Clover Heights which stretched from North Broadway, all the way along the East Side of the LA River, south to the vineyards and railyards.

NORTH BROADWAY was formerly DOWNEY Avenue, renamed in 1910, it stretched from the LA river to Mission Rd. Named after John Gately Downey an Irish Catholic pharmacist who had served as the 7th governor of California from 1860 to 1862; In 1874 Downey Avenue was a 100 foot long street bisecting “The Eastside.” Since almost all horse car and cable lines were conceived to promote land development, Downey’s partner John Griffin began running a used omnibus along Downey Avenue to promote local home sites. North Broadway (Downey) became a busy commercial strip, which it remains today. This is where the heart of CLOVER HEIGHTS was established.



Clover Heights is one of the oldest neighborhoods in Los Angeles, dating back to the 1870s. Perched on bluffs above the L.A. River, it was originally home to some of the city’s wealthiest residents, who built a large number of Victorian mansions in the district (many of which can still be seen standing today as you stroll through the neighborhood). By the turn of the Twentieth Century, however, the rapid industrial development along the riverbanks made it less appealing for wealthy Angelinos, who then began to move out to other areas, first to the Arroyo Seco area, then from the 1920s on, to the rapidly developing Mid-Wilshire area. As the wealthy residents moved out, Clover Heights became home to a large Italian population as well as an ever greater Mexican population. It and its cross-river neighbor “Little Italy” (what is now Chinatown) formed the heart of the Southern Califas Italian-American community. But beginning just after World War II, Italians and Mexicans alike began to also move out from the immediate areas next to the River. This process accelerated during the 1950s, with the construction of the Golden State Freeway running parallel to the river, which split the Clover Barrio right down the middle and devastated the neighborhood. Ever since, Clover Heights has been a poor-to-working class Chicano neighborhood.

In present times, The Heights can roughly be considered to be bordered by the Los Angeles River on the west, the San Bernardino I-10 Freeway on the south, and Soto Street on the east; the district's northern border is unclear due to the area's uneven terrain. Adjacent communities include El Sereno on the east, City Terrace on the southeast, Boyle Heights on the south, Dog Town and Solano Canyon on the west, Cypress Park on the northwest, Mount Washington on the north and Montecito Heights on the northeast (The Hills, as the area is referred to by the locals). The Hills are connected to Lincoln Heights and go under a small valley behind Montecito Heights. Many of the hills in this area have no trees and much dry grass, but the area also shows amazing panoramic views of the entire city. Many northeast L.A. communities have been formed and defined by the many hilly areas that run through this northeast area. So while the freeways may surround The Heights, there are larger, natural forces that have created and defined the community.

Originally the CLOVER STREET neighborhood was founded by a growing affluent class which chose to move away from the hustle and bustle of downtown LA. Griffin Avenue was named after one of the founders and investors in the area. Other streets such as Workman and Sichel were also named after original settlers. Around the 1930s the immediate area surrounding the old barrio became a working class neighborhood adjacent to the EastSide Brewery and the San Antonio Winery on North Main and Lamar Streets. Back then, there were houses between the brewery and the LA River which separated Barrio Clover from Dog Town on the other side.

The Clover Street Barrio was a close-knit community and everyone knew everyone else. Houses were seldom locked. Of course not everyone was rich with material things and there was really no reason to lock anything. Nevertheless, if you had a bike, it was prudent to lock and secure it at night. Although protected by natural boundaries, outsiders may sometimes wander through the streets at night.

Albion Street Elementary School was nearly at the center of the community, which made a short walk for all of its students. It was one of the first schools to be built in the city of Los Angeles in 1891 opening a year later. The wooden schoolhouse was initially on Albion St, but later new classrooms were added and the administrative offices were moved to Avenue 18. But, it still retained the original name. There were after school activities like kick ball, softball, and outdoor basketball. These were complemented with activities at the Downey playground (Clover Park) across the street. During the summer there was baseball and in the fall touch football. Many of the young Clover Boys that graduated from Albion who then proceeded to Nightingale Jr High were tempted to ride the rail to Figueroa Street(The Espee railroad tracks ran along the LA River on the west edge of the playground and underneath the Spring Street bridge). However, this never became a habit with anyone. There were always stories of someone getting tangled up and forever living with the nickname of peg leg. After graduating from Nightingale, the youngsters would continue their education at Lincoln High School at the east end of North Broadway. Besides developing minds-- In the fall, football was the event. Although the teams were competitive, the school was small and it was a challenge to develop championship teams. Nevertheless, on occasion the right mix of players and coaches would come together and the school would march to the city playoffs --there used to be a lot of social events like Sock Hops and Sports Nights. There was the acrobatics of the jitterbug in the late forties, the Latin rhythms of Richie Valens and La Bamba in the fifties, and the gyrations of the twist in the early sixties.

Most of the homes in the neighborhood had cellars. Some youngsters liked to hang out and there they would assemble in an effort to be cool like James Dean or Humphrey Bogart, secluded in the cellar, they would experiment with cigarettes and sneak a Lucky Strike from an uncle or in some extreme cases grab a Coors from the ice box or a nickel 8 ounce femininely shaped bottled coke from one of the local stores and hang out in the cool shade of their front porch.

Hidden at the south end of Lamar St is the San Antonio Winery. In 1917 Santo Cambianica left his home in Italy and settled in Clover Heights to open up the winery. While many wineries went bankrupt during Prohibition, he cleverly survived by making sacramental wines for the Catholic Church. His family still makes wines for the church today as well as wines for the general public. It is one of the last wineries in Los Angeles and has been declared a cultural historical monument.

Today, most of the old houses on Clover St have been demolished. The land was converted to parking lots for the Piggy Back trailers of the Union Pacific railroad that bought out the Espee. Later, this land was sold to The United Parcel Service, which built a distribution center for their growing delivery service. The Golden State Freeway now borders the east side of the community. The old Clover Street birth grounds became increasingly an industrial hub, which even to this day still has turn-of-the-century workers' cottages near Main Street just blocks away from the Southern Pacific rail yards.

The railroad was built by immigrants who were mostly Chinese and Mexicans who laid railroad tracks over the High Sierras and Rocky Mountains into the plains of the Midwest; And in some cases they tenaciously bored tunnels through the mountains to lay their railroad tracks. Along the Clover Barrio, there were machine shops and rail yards to support the railroad. These facilities maintained and managed the distribution of locomotives, box cars, and cabooses. They were constantly serviced, taken apart and put back together to keep them running. The Southern Pacific Taylor yards and shops were located at the south end of Clover Street. It attracted many workers in the local area that consisted of machinists, apprentices, their helpers, and laborers. It was a convenient area to live. In the morning many of the workers in their overalls would walk from their nearby homes to the shop swinging their lunchboxes in rhythm with their stride. At 7AM the Espee (Southern Pacific) whistle could be heard throughout the neighborhood signaling the start of the work day. On the weekends with a 15-cent token one could take the streetcar downtown to go to the movies at the big theaters, or take in a live show at the Million Dollar Theater. Otherwise, one could just walk to the Starland Theater on Broadway a few blocks away or to the San Carlos Theater east of Daly Street on Main. On Sunday, after going to Mass at Our Lady Help of Christians, many would take the streetcar east to Lincoln Park. They would get their thrills on the various rides of the amusement park, try to catch the gold ring on the merry-go-round, or just go fishing at the lake. Sweethearts might rent a boat and cruise the lake taking care not to scare the fish away. Unfortunately, there weren't many places for the fish to hide in the small lake.

The lake was originally named Eastlake, but the name was also changed in 1917 to Lincoln Park, reflecting on the new official name for the community; And Eastlake Park Avenue was also changed to Lincoln Park Avenue. This grand street was the "red carpet" leading to the main entrance to the park in its day. A hundred years ago Lincoln Park was the city limit and people crossed bridges by foot, horse, trolley, etc. over the LA river down N. Broadway and turned south on Eastlake Park Avenue. In 1913 William N. Selig (1864-1948) purchased 32 acres of land next to Eastlake Park at a reported cost of $1 million. The property was turned into a zoo for the animals that he used in his films. By 1915, 700 animal species were residing at the Selig Zoo. The Selig Zoo is gone, but Lincoln Park and the Lake remain. And so does the San Antonio winery at its original location. The San Antonio Winery, continues to operate today, albeit with non-local grapes, and Lincoln Park is now used to celebrate Chicano culture and Mexican heritage. Cinco de Mayo at the park, is now an event that brings Raza from all over, down to The Heights!

Like most other inner city LA neighborhoods, the 1970's and 1980's saw the rise of "white flight" and "brown flight" too, as established Raza moved onto the growing and more prosperous suburbs of Los Angeles.

In a City of Angels that often disdains the old for the new, Clover Heights is a tough old neighborhood where 26% of the residents live below the poverty line and timeworn beauty hangs in the balance.

.. History yet to be completed, pending further revision!

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VARRIO FROG TOWN RIFA

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Thee FROG TOWN neighborhood was born in the early part of the 1900's. This old barrio lays tucked in-between Elysian Hills and North East L.A.

The area was oldenly known as LITTLE RIVER VALLEY because this area is like a small valley wedged in right next to the LA River, in-between the Glendale Narrows (Verdugo) Wash and its tributary the Arroyo Seco; jammed up against the Elysian Hills, hence the reason why back in history, the place was also referred to as "Elysian Valley."

This area because of the thick vegetation growth along the wandering river bed and its river banks, allowed for a large gnat and insect infestation which in turn, sustained the growth of a sizable Frog population. During those early decades along this River Side community one could hear the sounds of Bullfrogs singing all through out the nights. These nightly serenades of the Bullfrogs gave rise to the moniker for the area <~ baptized with by the Mexican gente who lived right there around this pantano marsh locality.

The Frog Town ganga that sprang up in this area in the early 1930's was, has been, and remains a very close tight-knit varrio. Frog Town Rifa is from the old list of City of Angels varrios keeping it going -small but strong- still representing on the calles!



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VARRIO TEMPLE RIFA

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TEMPLE STREET “WEST SIDE” L.A. ORIGINALS!


THE VARRIO TEMPLE STREET WAS ESTABLISHED IN 1923, THE FAMILY LAST NAME WHICH STARTED TST WAS “TEMPLEROSA”, AND THEY HAD CAME FROM MEXICO, TO TEXAS, THEN TO CALIFORNIA, ESTABLISHING THE VARRIO IN BOTH PLACES IN THE 1920s. TIME LATER IT BECAME “TEMPLE STREET” BECAUSE OF THE L.A. STREET THEY LIVED ON, AND EVENTUALLY, AS MOST VARRIOS IN L.A. BEGAN TO CLAIM “SIDES”, TST BEGAN TO ADD/CLAIM “WEST SIDE” INDICATING WHAT SIDE OF THE CITY THEY WERE ON THE WEST SIDE OF LOS ANGELES.

THE ORIGINAL VARRIO IS LOCATED IN THE CENTRAL L.A. AREA WEST OF DOWNTOWN, SURROUNDING THE NEIGHBORHOOD AROUND THE TEMPLE AND CORONADO STREETS AREA, IN THE COMMUNITY WHICH TODAY IS KNOWN AS THE RAMPART DISTRICT. BOTH THE TEMPLE STREET AND THE CLANTON 14 STREET VARRIOS ARE SAID TO BE THE TWO OLDEST WEST CENTRAL L.A. VARRIOS IN EXISTANCE TO THIS DAY. TEMPLE STREET WAS STARTED BY MEXICAN AMERICANS, BUT HAS ALWAYS HAD SOME CENTROS, PINOYS, HUEROS, AND EVEN A VERY FEW MORENOS HOMEBOYS. HISPANIC MEMBERS IS AND HAS ALWAYS BEEN THE MAJORITY MEMBERSHIP OF THE GANG, BUT NEVERTHELESS ALL THE DIFFERENT ETHNIC REPRESENTATIVES OF THE VARRIO HAVE REMAINED TIGHT, AND ALL IS SAID TO BE GOOD IN THE NEIGHBORHOOD BETWEEN THESE RAZA GROUPS.

THE VARRIO OVER THE YEARS HAVE ADDED NUMEROUS CLIQUES AND HAS STARTED OUT RECRUITMENT IN VARIOUS OTHER SECTIONS OF SOxCAL AS WELL AS IN OTHER FAR-FLUNG PLACES. IN ADDITION, OTHER WELL KNOWN CLIQUES LIKE SATANAS AND REBELS 13 WHICH WERE ORIGINALLY A PART OF THE TEMPLE STREET VARRIO, WENT OFF SOLO. SATANAS “STS” BECAME LARGELY MADE UP OF FILIPINOS WITHIN TST CLIQUE RANKS AND THEY EVENTUALLY BROKE OFF FROM TEMPLE STREET.



ANOTHER VARRIO “R13” REBELS 13, ALSO SPLIT OFF FROM TST AND THEY WENT ON TO ESTABLISH THEMSELVES IN THE EAST HOLLYWOOD AREA. BUT UNLIKE THE RANKS OF SATANAS WHICH WERE FILLED UP MAINLY BY FILIPINOS, THE REBELS 13 VARRIO BECAME AND REMAINED PREDOMINANTLY MEXICAN, BUT FOR THE MOST PART, THEY TOO HAVE REMAINED ON COOL RELATIONS WITH THE OLD TEMPLE STREET VARRIO.

THE TEMPLE STREET VARRIO OVER TIME HAS EXPANDED OUTSIDE ITS ORIGINAL TERRITORY AND HAS ESTABLISHED ITSELF IN FAR CORNERS OF L.A. COUNTY, NORTHERN CALIFAS AND IN LAS VEGAS NEVADA, SALT LAKE CITY UTAH, PENNYSYLVANIA, WASHINGTON, AND OREGON. AND IN ADDITION TO HAVING ESTABLISHED GROUNDS ON THE WEST SIDE OF L.A. TST HAS HEADS REPRESENTING THEIR VARRIO IN SOUTH CENTRAL, SAN FERNANDO VALLEY, PALMDALE, LANCASTER, ANTELOPE VALLEY, CERRITOS, GLENDALE, LONG BEACH, POMONA AND OAKLAND. TST HAS EVEN GONE INTERNATIONAL, HAVING A PRESENCE IN CITIES LIKE LONDON IN THE UNITED KINGDOM AND IN OTHER COUNTRIES LIKE AUSTRALIA AND BRITISH COLUMBIA CANADA, BAJA CALIFORNIA, MEXICO AND SANTANA EL SALVADOR. TEMPLE STREET IS ALSO WELL REPRESENTED ACROSS-THE-SEA IN THE PHILLIPPINES WITH THE PINOY LOCOS CLIQUE.

THE TST PINOY LOCOS 13 CLIQUE WAS ORIGINALLY STARTED OUT IN THE EARLY 1980s IN THE HOMEGROUNDS OF WEST CENTRAL L.A. BUT EVENTUALLY WITH THE DEPORTATION OF MANY OF THE FILIPINO MEMBERS OF THE CLIQUE TO THE PHILLIPINES, THE CLIQUE BECAME LARGER THAN EVER OVER IN THAT COUNTRY.



CLOSER TO HOME, TST FOR A SHORT TIME ESTABLISHED AN EAST SIDE TEMPLE STREET IN EAST L.A., AND LATER THEY WENT ON TO ESTABLISH THEMSELVES IN THE SAN FERNANDO VALLEY (NORTH SIDE) WITH THEIR VALLEY TOKERS AND SUR DEMONS KLICK. TST ALSO SET UP CAMP IN THE SOUTH SIDE OF L.A. (SOUTH CENTRAL) WITH THEIR 52ND ST TOKERS [TKS] CLIQUE.

IN THE EARLY 1980s TST ADDED TO THEIR RANKS THE PARK DILLON LOCOS CLIQUE. THESE PDLS VATOS WERE ORIGINALLY A STREET-FOOTBALL TEAM GANG. THIS TOOK PLACE DURING AN ERA IN L.A. THAT WAS RIPE-FULL WITH FOOTBALL TEAMS ALL OVER THE PLACE WHICH WERE ALL EVENTUALLY EITHER CLIQUED UP TO THE OLD-GUARD GANGS OR THEY HAD TO SADDLE UP AN BECOME THEIR OWN GANG. THE PARK DILLON LOCOS PLAYED AND HANGED OUT AT THE PARK DILLON APARTMENTS LOCATED ON 2ND STREET AND DILLON. THESE APARTMENTS ARE STILL THERE TO THIS DAY, THEY JUST TOOK OFF THE OLD ENGLISH SIGN THAT SAID PARK DILLON. NEVERTHELESS, THE PARK DILLON LOCOS CLIQUE STILL LAYS CLAIM TO THEM AND THE SURROUNDING NEIGHBORHOOD.



VARRIO TEMPLE STREET GANGSTERS WHETHER THEY ARE IN THE PHILLIPPINES OR ON THE HOMEFRONT; WHETHER THEY CLAIM WEST SIDE, NORTH SIDE OR SOUTH SIDE, THEY ALL FALL UNDER THE “13” FLAG, AND ALL THEIR CLIQUES REPRESENT THE VARRIO WELL.

= VARRIO TEMPLE STREET 13 GANG CLIQUES =

PARK DILLON LOCOS [PDLS],
MOUNTAIN VIEW LOCOS [MVLS],
PEEWEE LOCOS [PWLS],
TINY LOCOS [TLS],
PINOY LOCOS [PLS],
PARTY LOCOS [PLS],
MIDGET LOCOS [MLS],
MICHELTORENA LOCOS [MTLS],
ROSEMONT LOCOS [RLS],
DUKES [DKS],
VALLEY TOKERS [VTKS] --SAN FERNANDO VALLEY,
SUR DEMONS KLICK [SDK] --
-- SAN FERNANDO VALLEY, PALMDALE, LANCASTER,
CORONADO STREET [CST,
NIGHT STALKERS [NSK],
CUT THROATS [CTS],
MANIACS [MNS],
LOS MALOS [LMS] --PENNSYLVANIA,
TOKERS 52 [TKS] SOUTH CENTRAL,
DEATH BOYS LOCOS [DBLS],
CHARROS [CHS],
BAGOS [BGS],
SATANAS [STS]
REBELS 13 ~> DIABLOS [DBS]
AND THE REST. .



By FLAKO TST PDLS

SOUTHERN EMPIRE Forum Link

EAST SIDE BARRIO 13 STREET

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EAST SIDE 13 de SOUTH CENTRAL L.A.




VARRIO EAST SIDE PLAYBOYS CAME TO BE ESTABLISHED IN THE SOUTH CENTRAL PART OF L.A. BACK IN THE YEAR 1980, AND SOON THEREAFTER EL VATO BEAVER (EX-MEMBER OF THE E.S. PLAYBOYS) CUT TIES WITH THE PLAYBOYS; AND SOON AFTER THAT, HE WENT AND STARTED OUT THE BARRIO EAST SIDE 13 (1980-81).

THE BARRIO ES13 WAS BORN ALL AROUND THE 28 STREET AND CENTRAL AVENUE NEIGHBORHOOD WHERE THEY STILL REMAIN REPRESENTING UP ‘TIL THIS VERY DAY.

LA 28 STREET PROPER HAS ALWAYS BEEN BARRIO EAST SIDE 13 FROM THE GET GO, AND THERE WAS NEVER ANY ES13 CONNECTION WITH THE SOUTH SIDE 28 STREET DUKES FROM NEAR-BY 28TH AND MAIN STREETS; NEITHER DID IT HAVE ANY CONNECTIONS WITH THE OTHER VARRIO NAMED SOUTH SIDE 13 STREET, WHICH IS BASED AROUND THE 29TH AND TRINITY STREETS AREA. (NOTE: SS13ST WAS ORIGINALLY A PART OF CLANTON 14 STREET AND WENT BY THE C14 CLIQUE NAME OF 29 STREET JOKERS).

THOSE TWO VARRIOS, 28ST DUKES & SS13ST CLIQUED UP IN THE VERY LATE 1970's AND BECAME ONE SINGLE VARRIO AFTER THEY HAD A FOOTBALL GAME WHICH THE 28ST DUKES LOST; THEREFORE THE WINNER ~> SS13ST WAS ABLE TO KEEP THEIR OWN VARRIO NAME, ACCORDING TO THE BET THEY HAD.

BOTH ES13 AND SS13ST WERE CREATED AROUND THE SAME TIME, BUT THEY HAVE ALWAYS BEEN TWO SEPARATE VARRIOS. HOWEVER THEY DO HANG OUT TOGETHER AT TIMES AND THEY ALSO HAVE BEEF WITH SOME OF THE SAME ENEMIES, BUT THEY'RE STILL SEPARATE VARRIOS, EACH RUNNING THEIR OWN PROGRAMS.

IN THE LATE 1980's, EAST SIDE TRECE, 38 STREET AND A CLIKA FROM 18 STREET JOINED UP FOR A MINUTE, BUT IT DIDN'T LAST FOR TOO LONG AND ES13 BROKE ALL TIES WITH THOSE TWO VARRIOS; EVER SINCE THEY HAVE STAYED STANDING ON THEIR OWN, HOLDING UP THEIR ORIGINAL BIRTH GROUNDS.

DURING THE EARLY 1990's, ES13 STARTED A BRANCH IN EAST SAN BERDO (VERDUGO) WHICH BLEW UP BIG TIME AND WENT ON TO HOLD DOWN THE TERRITORY AROUND THE BASELINE ST & FAIRFLAX DRIVE ZONE, BUT BEING THAT ES13 WAS FROM L.A. COUNTY, SOON THEY GOT INTO A CONTINUOUS WAR WITH ALL THE INSANE EMPIRE VARRIOS OF WEST SIDE VERDUGO AND MOUNT VERNON.

NEVERTHELESS, EAST SIDE 13 HAS BEEN KNOWN TO PUT IN SOME SERIO WORK IN THE STREETS OF BOTH SOUTH CENTRAL AND SAN BERNARDINO COUNTY, EARNING THEMSELVES A BAD ASS REPUTATION AND A PAGINA IN THE CHRONICLES OF BARRIO HISTORY.

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VARRIO HARPYS

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HPS HARPYS
BIG “ACHE 13”
1950s MC CLUB

HPS CONNECTIONS GO BACK IN TIME TO EPT

WITH A LONG STANDING VARRIO IN EL CHUCO
























HARPYS IS FROM THE OLYMPIC PARK & WEST ADAMS / MID CITY NEIGHBORHOODs. EL CORAZON DEL BARRIO IS CENTERED AT HOOVER PARK

LOS HARPYS CLAIM:
WEST SIDE” LOS ANGELES

THE HPS DOMAIN:
N; WASHINGTONE
E; FIGUEROA
S; 39TH ST / MLK
W; NORMANDIE
+ MID CITY 5TH AVENUE

THE VARRIO ROLLS THRU THE 20s AND 30TAs CALLES

MAIN ZONE OF OPERATIONS MAP:


BANDANA COLOR;
RED LIKE "SANGRE"

AFFILITIATION: SUR 13

EMBLEM: THE HARPY EAGLE
 



CLIQUES:
CALLE (20) VEINTE
25 ST TINY LOCOS
(25TH & HOOVER PARK)
27 ST CHICOS MALOS
(27TH & VERMONT)
28 ST DUKES TOWN
39 ST TOKERS
(39TH & BUDLONG)
5TH AVENUE MIDGETS

INCORPORATED:
WILD BUNCH
DEAD END 13

WILD BUNCH IS AN EARLY 80s FOOTBALL TEAM HQ AT HOOVER PARK (25TH & HOOVER) WILD BUNCH IS AN OLDER CROWD FROM THE EARLY OCHENTAS WILD BUNCH TOOK ITS NAME OFF THE 1969 WESTERN FLICK “A CLIQUE OF OLDEN OUTLAWS OUT TO MAKE A BIG SCORE” THE WILD BUNCH WERE ALWAYS AFFILIATED WITH HARPYS UNLIKE THE LATER DEAD ENDS WHICH WERE THEIR OWN FOR A MINUTE WILD BUNCH IS OLDER THAN THE DEAD ENDS

DEAD END 13 STARTED IN 1985 AS A STREET FOOTBALL TEAM AT JOHN ADAMS JR. HIGH IN EAST S’C THEY HAD AN OG SPOT AT THE 20TH STREET “DEAD END” BY HOOVER STREET DEAD ENDS ALSO HEADQUARTERED AT THE JULIET STREET DEAD END (SOUTH OF ADAMS) DEAD ENDS GOT HUGE AND SPREAD LIKE WILDFIRE IN HARPYS NEIGHBORHOOD DEAD END EVEN TOOK IN VATOS FROM HARPYS JULIETTE STREET BOYS DEAD END THEN GOT ITS 13 AND HAD SOME PEDO WITH HARPYS BUT BEING FROM THE SAME NEIGHBORHOOD AND HAVING LINKS DEAD END 13 AND HARPYS CLIQUED UP

SOME CALL IT HARPYS DEAD END
OTHERS CALL IT DEAD END HARPYS

AFFILIATED LOCOS:
PRIMO HEADS
KUSH HEADS
MIDNIGHTS
LIL TOWN
B*TCH KILLERS

EXPANDED TURF: GRANADA HILLS
(SAN FERNANDO VALLE)

TIJUANA (BAJA), SINCE THE 1970s
@ COLONIA LINDA VISTA (HPS PEEWEE WINOS)

HANDSIGN: DOUBLE HAND “FUSCA” FINGERS

CHICANO RAPPER: CONEJO
NOTORIOUS ENEMY RECORDS

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LYNWOOD VARRIOS

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RUDE BOYS

A.k.a. RUDOS

Headquartered at ALMA (Ave) STREET

Their Varrio is centered at Norton & Califas Avenues

(N) Century, (S) Platt, (E) MLK, (W) L.B. Blvd.,

Although they are known to roam past L.B. Blvd into Poplar, Barlow and Oakwood, which at one time that area was considered to be LVPgs, but now LVTraviesos claim Oakwood Avenue.

RUDOS also roam south to meet up and even mix with the Lynwood MOB, south of Lynwood Park.

LYNWOOD MOB (1980s) is from the Lynwood Park neighborhood, south to Fernwood, and even past that, past the freeway all the way to Josephine and Virginia streets. FIR STREET would be the heart of their neighborhood.

RUDE BOYS and Lynwood MOB are rumored to have cliqued up, and now go by RUDE MOB (?) Hence the slogan “MOBbin’ with RUDEness”

North of the RUDE BOYS are the LYNWOOD DUKES

(N) Tweedy, (S) Century / Abbott, (W) State, (E) California

At one time the DUKES extended north past Tweedy with their Nebraska Chikos clique, but that clique went defunct, and the DUKES are no longer holding that area.

Originally the DUKES went by Lynwood Ghetto 13, or simply Lynwood 13, but then everybody around was claiming Lynwood Varrio this and Lynwood Varrio that, and then there came up also SOUTH SIDE LYNWOOD, over by the neighborhood surrounding the High School.

SSLWD13 (N) Imperial, (S) MLK, (W) Bullis, (E) Atlantic

Lynwood (Ghetto) 13 did not want to be confused with anyone else, decided on keeping it original and old school, and adopted their first generation name of DUKES for their varrio, but without adding Lynwood Varrio, just simply kept it as Lynwood DUKES. Their later generations have been the Morgan Cyklons, Nebraska Chikos and Criminals cliques.

South of L’DKS is the OSGOOD BLOCK headquartered at Osgood Avenue.

OBLS is a small hood tucked-in-between..
(N) Century, (S) Norton, (E) State, (W) Capistrano

They go by OBLS but are known to also add LV to their tags. The Locos was their first clique, followed by the Midgets.

Next to OBLS to the west are the SANTA FE LOCOS in all the “HUNDREDS” streets, along Santa Fe Avenue. Their neighborhood is on the opposite side of Alameda facing La Weigand Colonia Watts.

East of SFLS & south of OBLS are the LVTraviesos, a.k.a. Troublemakers, from Bellinger to L.B. Blvd, banging Oakwood Avenue with their Winos, Baby Locos and Tiny locos cliques.

All 3 varrios, OBLS, SFLS & LVTvs are in the area that once used to be part of LVParagons.

LVParagons is said to be the oldest and original Lynwood Varrio, going back to the late 1950s. LVPgs commanded an area that extended from (N) Century, (W) Alameda, (E) Bullis Road, (S) Euclid Avenue.

LVP used to control the HUNDREDS, Norton, Poplar, and Imperial west of MLK, but now LVP is mostly south of the freeway mixed in with BNG (BANNING STREET).

LVP and BNG have a love-hate relationship. They can be found partying together, but still beef it. The BNG crowd grew big and has reached numbers over a hundred strong with their 3 generations of gangsters Locos, Chicos and Crimeys (Criminals) cliques.

An anomaly in the BNG & LVP zone is Lynwood Varrio EL SEGUNDO on the little strip of El Segundo Blvd filled with trailer parks, apartments and a couple of rows of houses. LVES does not seem to have much of a presence in their birth grounds anymore, but are now spread out living all over Lynwood. Little LVES is known to blast on people, and has racketed up a documented membership of over a hundred.

So while LVP is the oldest and controlled most of the west side, on the east side of the city YOUNG CROWD is said to be the second oldest Lynwood Varrio. YOUNG CROWD is documented to be on Police maps since at least the early 1970s.

YC original neighborhood is located in the Lynwood Gardens community, but they spread up all the way to Imperial Hwy, controlling east of Atlantic Avenue. The construction of the Century Fwy split their neighborhood in to two halves. The northern part surrounds LUGO PARK, and the older part is down by Lwd Gardens HAM PARK around Rayborn, Wright, Clark, Lavinia, all east of Atlantic.

The Lwd Gardens part has had to contest with others like LVCompitas from the Carlin Avenue neighborhood area. LVCPTS have a decent representation with their Carlin Devils and Gangsters cliques.

North of Carlin, roaming around in-between Atlantic Avenue and Bullis Road you have the Krazy Katz (LVKZK).

Originally from South Central L.A. from back in the 1980s. Los Gatos Locos 42ND Street gang were rock-a-billy’s the same as the MLC Moonlight Cats.

SS38ST put the pressure on both the MLC and KZK to clique up. Some KZK cliqued up but most said chale and ended up beefing it with SS38ST. Some KZK moved to Lynwood, and they set up there since just before the Century freeway was opened up for trafico. The original KZK42 from SCLA faded or got locked up for jales, but the LV Crazy Cats have kept it going.

Other more newer locos have sprung up in the area, like the MWS MARIWUANOS on Agnes Avenue, and the LVSSG South Side Gangsters on Olanda Street, but they’re more recent and have yet to make it past the decade. And then there’s others little older varrios like the TRISTES (Lynwood Varrio Sad Boys) which are known to be active with their Harris Street Locos clique, but little is known about their history.

Lynwood Varrios even though they have main operating zones, the raza there moves around. Lynwood is like the typical big little town (city) where you kick it with some, but you live somewhere else. Lynwood is your town, and therefore Lynwood is your varrio., there ain’t no markers on the streets keeping one locked up to a corner. You roam around, and when you run into someone from out of town, you hit ‘em up, and if they ain’t from Lynwood, pues ya sabes, ponle!

This is just a little something on the Lynwood Varrios., add to it!

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VICKYS TOWN

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What's the story with VICKYS TOWN, do they still have a varrio on L.A's. East Side? Their varrio was up there by Juarez Maravilla, just on the opposite side of the freeway from Big Hazard, east of Soto Street by Wabash. Anybody have any history on them? VST is an old varrio, and they have set up chapters in other places, including up in northern California, but other than that, there's not much else that i can add to this dedicated pagina.

THE FIRST L.A. BARRIOS

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The first Chicano Varrio Gangs in Los are said to have evolved from the Palomillas (Boys Crowds) of the Barrios & Colonias (Neighborhoods), many of which first emerged in those immediate neighborhoods surrounding the old Plazita Village of Los Angeles – present times affectionally named “La Plazita Olvera” located in-between Cesar Chavez on the north, 101 Freeway on the south, Broadway on the west, and Alameda Street on the east. The first Barrio that sprung out of this town/village was called Sonora Town, and it lay just due northeast, centered on Spring Street. But the Mexican community was never solely limited to any one particular area or section of the city, and many urban villages existed spread out all over the L.A. basin. Nevertheless, many of the Central Los Varrio Gangs that can be counted in these present times can in some way or another trace back their lineage to those early 1900’s Mexican communities which expanded out from the Central L.A. area.

This Central Los area quickly became inhabited by both Mexicans and other ethnic groups, such as Filipinos, Jews, Russian Molokans, Chinese, Italians, Blacks and others. But within a very short time span between 1900 and the 1940’s, the Mexican population became predominant above all the others and turned the Greater East Side --which in old white-Anglo terms, included everything east of Broadway/3Rd Street and Elysian Park Hills—into one continuous Mexican/Chicano Barrio per say.

The white-Anglo ruling elite basically relegated all the non-white ethnic population into the most undesirable lands and crowded them into the poorest sectors of the ever growing metropolis. To the Mexican/Chicano population, the ruling elite’s self-serving urban development programs and reclusive residential laws became known as “Barrionization”. The young Mexicans in these Barrios and Colonias faced with a hostile environment of discrimination and living in contested grounds, soon bonded together and formed tightly-knit groups for mutual assistance and cultural survival. They cliqued up for self-preservation if you would. It suffice to refer you, the reader, to the much documented historical data which sheds much insight as to the reasons which not only forced these young Chicanos into such a stance, but also as to the cultural pride that demanded no less from them. Out of this Barrionization process emerged many of the Varrio Gangs which adopted and carry the particular name of their original neighborhoods. These Varrio Boys went on to structure themselves with codes of conduct and rules of warfare, together with a style an attitude that survives even onto this present day.

In the world of Chicano Varrio Gangs, much value is given by many, as to the age and generational lineage of their respective Varrios. Those Gangs that can trace their origin to the earliest of times, pre-dating their neighbors, their rivals, other ethnic groups or even their allies, “proudly boast” of their olden history and hold it close to their heart as a badge of honor. These olden Varrio Gangs have endured with the test of times many trials and tribulations. They have suffered dear loses, but they have also grown strong and hard by enduring such hardship and pains. They have come together and forged a “family” of Homeboys and Homegirls, young and old, happy and mean, independent but dedicated to one another, surrounded by friends and relations, raza from all walks-of-life which serves them well as a social support group. This camaraderie of the extended family fills them up with ever good times and beautiful nostalgia.

But which are some of those Barrios that go back to them early times? Which are the Gangs that trace back their roots to those early urban villages? It is extremely hard to be able to pin down all of them in a chronological timeline order, and that is due because when dealing with Chicano Varrio Gangs, most have not and do not leave a written record of their events and happenings on account of the underground aspect involved in their history which for obvious reasons “must fly under the radar”. Most Varrio Gangs do however have a decent record of their history which is passed down by word of mouth amongst the gang membership, and shared with associates and those trusted faces from the Barrio. Other than that, one is hard pressed to learn-up about the individual Gangs origins. Therefore, keeping in mind the aforementioned, I don’t assert to be 100% correct with the following information, for it is merely an attempt to reconstruct a path of evolution of some of those early Barrios. Hopefully it will stir up some memories from those who have first hand knowledge and serve to encourage them to share some firme story, so that it can be placed down for the ages “in letras”. Maybe then, all we who have come up in them streets of Aztlan can join up in minds and be all together proud of our common Varrio heritage, so that we may never become “a dyeing breed” nor forgotten by the generations to come, que no?



Previously we left off with Sonora Town as the first Barrio in Central Los.



Sonora Town in turn gave rise to the Barrio Palo Verde located around the area of present time China Town on the southwest part of the Elysian Park Hills. Here in these hills emerged the Chavez Ravine (Lomas) community which was born out of the many displaced residents of Palo Verde and an older Mexican Village called Las Animas. This Chavez Ravine A.k.a. Lomas Barrio was in essence “3” separate Barrios that grew out in different sections of Chavez Ravine. The first was around the old Palo Verde Las Virgenes Road and became known as Varrio Alpine. The second was located over by present day Cathedral H.S. around Bishops Road and became known as Varrio Bishops. The third one was centered in the Solano Canyon area next to Elysian Park off of Broadway; this last one became known as Varrio La Loma. The main Chavez Ravine community was displaced in 1953 by the shysty evil-minded city urban redevelopment scheme which turned over the land for the then Brooklyn Dodgers to build their stadium, as enticement to move to Los Angeles. The older Las Animas west side ravine hillside was turned into mostly parkland. South of Solano Canyon before crossing the river was the Barrio Buena Vista. This Barrio is now all Elysian Park off of Broadway.

Over to the west of Palo Verde/Varrio Alpine, the Bunker Hill Barrio stretched all the way to meet with the Market Barrio on 3Rd and Broadway. Bunker Hill together with the adjacent Temple-Beaudry area emerged the Varrio Diamond. Bunker Hill survived until the late 50’s when the area was targeted for urban renewal. The build up of the Civic Center and the subsequent construction of the 110 Freeway, destroyed not only Bunker Hill but a large section of Varrio Diamond as well. Further west of the Temple-Beaudry area arose the mixed Filipino and Mexican Gang of Varrio Temple, born in an area previously known as Lindero and Triunfo Canyon’s. Due northeast of Varrio Temple and Varrio Diamond, the Echo Park community grew to become largely Mexican and from it the Varrio Echo Park emerged. On the riverside of Echo Park, in-between Elysian Hills and the wandering L.A. River, the Varrio Frog Town was born in the Elysian Valley A.k.a. Little River Valley extending all along from Figueroa Street, north up to present day Atwater Village.

Northeast of La Plazita was “The Cornfield”, covering an area that stretched almost all the way to the Buena Vista Barrio next to the L.A. River by North Broadway. This Cornfield in time gave way to the ever growing rail yards of Mission and Naud Junctions. South of the Cornfield was the community called Dog Hell A.k.a. Dog Town, which gave birth to the Varrio Dog Town that stretched all along the riverside from Buena Vista to the Macy Street Varrio. Due east of La Plazita, the Varrio Macy Street grew extensively in the immediate area until it too was hit with urban redevelopment and it’s residents relocated far east across the river to the newly emerging Belvedere community. Both Varrio Macy Street and Varrio Dog Town (except the DT projects off of North Main) were torn down to make way for the new Union Station, the Department of Water & Power plant, the growing rail yards and warehouses, the many industrial plants and the L.A. County jail over by the Clara Street neighborhood.

South of the Varrio Macy Street lay the First Street and Eight Street neighborhoods in-between The Flats and Alameda Street. These neighborhoods too were forced to relocate to the east side by the ever growing industry and rail yards. Both the First and Eight Street neighborhoods lay due west of The Flats A.k.a. Russian Flats, along the wandering riverside areas which were prone to flooding until the L.A. River concrete levee was built. When that happened, The Flats Barrio was relegated solely to the east side of the river, west of El Paredon Blanco (the hillside facing west off Boyle Heights). It is here that the Aliso Village, Pico Aliso and Pico Gardens Housing Projects were built to accommodate the displaced residents from The Flatlands, and it is here that the Varrios Primera and Cuatro Flats arised. From all those Varrios of Macy Street, Dog Town, First Street, Eight Street, Clara Street and Russian Flats, people moved eastward up to Brooklyn Heights, Boyle Heights and Belvedere (Wonder City). The displaced families numbered in the thousands.



To be continued . . .

A SHOUT OUT TO LA's 1970's VARRIOS!

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Back in the 1970's un guato de Chicano VARRIOS were already posted up since Olden Times representing the Old Stilo de Vida everywhere and in every SIDE and sub-division of the City and the County of LA.

Those varrios around from way back then were not nearly as numerous as they are today; especially since the Gang explosion that took place in the 1980's with all those varrios that got it together from the Football Teams, the Tag Bangers and the Stoner Locos generation eras..

Most LA varrios prior to the 1980's claimed a much larger territory; Mas Grande than those which followed up later in the decades of the 80's and 90's.,

Aside from the West Central LA, the East Side and the South Side LA areas, few other sections of the urbanized county streets were as congested with that many a mess of varrios.

The Harbor Area (HxA), the North Valley (SFV), East Valley (SGV), West Los (WLA), North East (NELA) and South East (SELA) had some very old old varrios representing from way way back, but there were whole wide tracks of streets in all those areas and parts of town hat were scant of any varrios claiming.

Back then, the same as nowadays ~> if a varrio was known about and heard about in all the crazy corners of the county, that carried some real heavy weight behind it; it meant that the varrio was recognized as being among the most chingone; So being in the list of the "heard about" varrios was of utmost importance; because in the varrio world ~> it is a sign that the varrio has made its mark ~> Se dejo caer and has been around!

 So, "Importa Madres" to get your varrio up on the roll-call; and it matters most of all that you hold up your Varrio with pride!

Most of those 1970's Varrios are still around still kicking up dust; so in a ways ~> a roll-call from the 1980's or 1990's varrios lista would seem like you're repeating the same old ones around since back then; Never-the-less, those 1970's varrios in my mind, and then maybe because of my generation, I feel like they deserve their own page in history; They deserve their names to be remembered., and a shout out for each and every one of those old varrio names with respects would be a start; Que no?

From the 1970's era ~> starting out with the North East LA area: A shout out to friend and foe Varrios alike

No Dis-Respect Meant

DOG TOWN RIFA
FROG TOWN RIFA
43RD AVENUES
CYPRESS AVENUES
CYPRESS PARK BOYS
NELA 13
TOONERVILLE RIFA
CLANTON 14 STREET
HIGHLAND PARK

From the Lincoln Heights and El Sereno area . .

DOG TOWN RIFA
EL SERENO RIFA
EAST SIDE CLOVER
HAPPY VALLEY RIFA
ROSE HILLS
EAST SIDE EIGHTEEN STREET
BIG HAZARD RIFA

From the Boyle Heights East Side area . .

BIG HAZARD RIFA
PRIMERA FLATS
CUATRO FLATS
ALCAPONE
EAST LA TRECE
EAST LOS TRECE
PRIMERA CHICOS
THIRD STREET
SOTO STREET
EVERGREEN
WHITE FENCE
VARRIO NUEVO ESTRADA
VICKYS TOWN
LIL’ EAST SIDE
VARRIO KING KOBRAS RIFA
EAST SIDE CHOPPERS 12

From the Unincorp East L.A. area . .

LA ROCK MARAVILLA
JUAREZ MARAVILLA
LOPEZ MARAVILLA
MARIANNA MARAVILLA
HOYO MARAVILLA
LOTE MARAVILLA
ARIZONA MARAVILLA
LOMITA MARAVILLA PRIMERA
WINTER GARDENS
GERAGHTY LOMA
CITY TERRACE
LAGUNA PARK VIKINGS
LITTLE VALLEY RIFA

From the South East area . .

SS MONTEBELLO
POOR SIDE (SGV)
JARDIN 13
HORSE SHOE
SUNRISE
WHITTIER 13
WHITTIER VARRIO LOCO
QUIET VILLAGE
JIM TOWN
PICO VIEJO RIFA
LA MIRADA
VARRIO LOS NIETOS
CANTA RANAS
VARRIO NORWALK 13
CARMELAS 13
PEACEFUL VARRIO NORWALK
DOG PATCH
PARAMOUNT VARRIO 13
HAWAIIAN GARDENS
ARTESIA 13

From the South Side of L.A. .

CLANTON 14
38 STREET
FLORENCIA 13
SOUTH LOS
WEIGAND COLONIA WATTS
WATTS VARRIO GRAPE
ELM STREET WATTS
HICKORY WATTS
TORTILLA FLATS
LARGO 36
CE VE SEGUNDO
ONE FIVE FIVE
CE VE SETENTAS
CE VE TRES
LOS PADRINOS
YOUNG CROWD
LYNWOOD VARRIO PARAGONS
BARRIO SOUTH GATE

From the South West area . .

HARPYS
LENNEX 13
LOS COMPADRES VARRIO 3

From the Harbor Area . .

RANCHO SAN PEDRO
PARK WESTERN LOMA
LELAND PARK
VIVA BARRIO SAN PEDRO
VARRIO HARBOR CITY RIFA
VARRIO KEYSTONE
VARRIO LA LOMA RIFA
LA RANA (TORRANCE)
T x FLATS (TORRANCE)
VARRIO CARSON 13
VICTORIA PARK
EAST SIDE TORRANCE
EAST SIDE WILMAS
NORTH SIDE WILMAS
WEST SIDE WILMAS
NORTH SIDE REDONDO
WEST SIDE GARDENA
EAST SIDE GARDENA
DOG TOWN STONERS

From the Long Beach area . .

EAST SIDE LONGO
WEST SIDE LONGO
NORTH SIDE LONGO
BARRIO SMALL TOWN
BARRIO POBRE
LATIN TOWN PLAYBOYZ
BARRIO VIEJO RIFA
TE TOWN FLATS

From the West Side . .

WEST SIDE EIGHTEEN STREET
WEST SIDE CLANTONE 14
TEMPLE STREET
VARRIO VISTA RIFA
VARRIO ALPINE RIFA
ECHO PARK
WEST SIDE WHITE FENCE
WEST SIDE KING KOBRAS
LITTLE WEST SIDE
CINCO LOMAS (FIFTH & HILL)
PLAYBOYS 13
REBELS 13
DIAMOND STREET
SATANAS
HARPYS

From the West Los area . .

VARRIO CULVER CITY
VENICE 13
SOTEL 13
SANTA MONA (MONICA) 13

From the North Valley . .

VARRIO SAN FER
LATIN TIMES PACOIMA
PACOIMA FLATS
PACAS TRECE
BARRIO VAN NUYS
CANOGA PARK
BLYTHE STREET
SOL TRECE RIFA
NORTH HOLLYWOOD LOCOS
NORTH SIDE CLANTONE 14
BARRIO BERBANK TRECE
NORTH SIDE EIGHTEEN STREET

From the East Valley . .

VARRIO PUENTE 13
TOWNSMEN
LITTLE HILL RIFA
VALINDA FLATS
BASSETT GRANDE
EAST SIDE DUKES
VARRIO HAPPY HOMES
VARRIO LOMAS
SAN GRA RIFA
BARTLETT WOLVES
EL MONTE FLORES
EL MONTE HAYES
EL MONTE HICKS
NORTH SIDE MONTES
EL MONTE RIFA
NORTH SIDE PASA
SOUTH SIDE PASA
BOLEN PARQUE
DUARTE RIFA
SAN DIMAS COLONIA PARQUE
LA VERNE RIFA
POMONA 12 STREET SHARKYS
HAPPY TOWN RIFA
CHERRIEVILLE RIFA
CLARA MONTE RIFA


Feel Free to Add any that you know from the 1970s!

SD VARRIOS DON'T THROW UP THE 13

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I'M NOT SAYING THAT THEY AIN'T TRECE, ALL I'M SAYING IS THAT THEY DON'T GO THROWING UP THE 13 NEXT TO THEIR PLACAS ON THE WALL ALL THE TIME LIKE THE SURENOS IN OTHER PARTS., OVER HERE IT IS WELL UNDERSTOOD AND KNOWN THAT EVERY VARRIO, EVERY VATO OUT THERE IS DOWN FOR THE 13. SO THERE' S NO NEED TO PLASTER THEIR WALLS AND ARMS WITH A BIG TRECE EACH AND EVERY TIME., CHALES., SAN DIEGO IS DOWN WITH THE SUR., NO QUESTION ABOUT IT, PERO COME ON, BE SERIO...

SD VARRIOS KEEP IT ORIGINAL WHEN IT COMES TO THEIR VARRIO INITIALS POSTED UP ON THE WALLS., SO IF YOU SEE SIDRO, OTAY, NESTOR, CHULA VISTA, OLD TOWN, SHELL TOWN, LOGAN, MARKET, PARADISE HILLS, ENCANTO, OR ANY OF ALL THE OTHER BIG TIME VARRIOS DOWN HERE, THEY ALL THROW UP THEIR ZONE AND THAT'S IT.. SY, DS, NST, VCV, OTNC, VST, LHTS, VML, PHR, VELs, AND THE 13 STAYS OUT OF IT BECAUSE IT IS ALREADY UNDERSTOOD TO BE A PART OF EACH AND EVERYONE OF THE VARRIOS.,

THERE'S NO NEED TO PLASTER IT ON EVERY TAG. SO QUE PASO IN L.A. AND IN OTHER PLACES WHERE EVERYONE FEELS THE NEED TO THROW UP AND ADD 13 TO THEIR INITIALS?

IT AIN'T LIKE ITS FROM THE OLD SCHOOL OF THINGS., AND IT AIN'T LIKE SOMEONE IS QUESTIONING THEIR AFFILIATION, RIGHT?

I MEAN, IF YOU SEE WF, YOU ALREADY KNOW THAT IT IS WHITE FENCE; AN L.A. VARRIO DOWN WITH THE SOUTH SIDE FROM THE GET GO.

SO WHY DO THOSE PLAYERS OUT ON THE STREETS OF SO MANY TOWNS AND NEIGHBORHOODS FEEL THE NEED TO ADD A 13 NEXT TO THEIR VARRIO INITIALS?

CASE EXAMPLE ~> CERCO BLANCO, WF (WF13) ?? ..

SAN DIEGO VARRIOS DON'T FEEL THEY HAVE TO GO THERE YET., SO I'M WONDERING WHY DID SOME L.A. VARRIOS AND MANY OTHERS AROUND WENT THERE?

QUE PASO? WHAT'S THE MENTALITY?

MOB STONERS SALVATRUCHAS

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Gangs of LA; The Origin of La Mara Salvatrucha

It’s not that the shot-caller from the Fulton Locos clique was anything for trucing, in fact, he  hadn't acquired the moniker of Satan for promoting any types of peace pacts with the enemies.

Satan was the shot caller of the MS13 clique in the San Fernando Valley. He was born Ernesto Deras. At first appearances Satan looked like the typical Salvadoran immigrant, a skinny twenty something young man with very little facial hair, and of small medium stature. He was sort of quiet and reserved, he spoke with like a tired voice, slow and deliberate, almost like a slurred-whisper, but never one to be loud; those who knew him could tell you that they never heard him be a loud-mouth, not even to have heard him bust out in laughter; he appeared to be someone caught in an infinite sadness. Satan wasn't much of a Rambo type figure but he had received U.S. Special Forces (Green Berets) training with the Salvadoran Army Immediate Reaction Battalion. Satan could dismantle and put back together all types of weaponry; He knew combat tactics and ambush set ups, he had trained in small unit operations, and he understood the strategies that go with the importance of holding ground (holding down turf); he had received some of the best military training while with the Salvadoran Army, and it was precisely his military abilities that converted him in little less than a year’s time, into the shot caller of one of the strongest MS13 cliques of the times. To say that is no small feat, because within the street gang world protocols, almost no one goes from a jumped-in initiate, into one who calls the shots for a clique within the time span of one year, -unheard of in most circles.

Satan had come to the U.S. like most other Salvadoran immigrants, -fleeing the civil war. He had arrived here like most, hidden and scared like a overcautious animal. But Satan had been trained for war, and most likely had already been in plenty of action, so he was not one to easily peace up with the enemies; that is why in 1993, when a few top ranking homeboys from his gang approached him, they tried hard to explain to him and convince him to attend the meeting that was to take place in which members from La Eme had set up to square things up; they had to convince him that this was a serious matter, and that the Senores de La Eme were best not to be reproached or given a bad face.


The MS gang to which Satan had incorporated himself into, at the time was considered an outsider gang, not within the system. It operated outside the Eme structure, so it had to either be brought in, or it had to be dealt with, with extreme prejudice.

When the Salvadorans started arriving en-masse to California during the late 70s and 80s seeking refuge from the horror of the civil war which engulfed their homeland, the Mexicans and their descendants in LA, the Chicanos, they already had decades of having organized themselves into gangs; they had organized in part to make an affront to the ruling white-Anglo society. They fought against the discriminating forces of society; and yet they themselves were not pre-disposed in extending a welcoming mat for the new Salvadoran population arriving to the barrios of LA. That’s why when these young Salvatrucos formed their own gang, it was in large part to deal with the black and brown menace set against them in the city. The Chicanos looked down on the Salvadorans, and they saw the MS gang as an aberration, something not from the old structure, even something to puke about.

It wasn't easy for MS to be the new gang on the block, and it was all made worse by not being of the same ethnic or national background like the Chicanos. But just like in any ecosystem, the creature learns to adapt and survive; it is necessary to learn fast who eats who in the wild. When MS appeared on the scene, they had already realized the long established fact on the streets, and that was that each gang can be either the victim or the predator, and in that same street system, in that food chain, there was only one at the very top; the Mexican Mafia with its shot callers whom after all is said and done, they were the ones who decided who could play in the larger scheme of things, and who didn't. MS up to that time could not play; they were as yet not in the Sureno camp.

Satan had begun to be the shot caller for the Fulton Locos in 1991. At that time the Fulton Locos was the only MS clique in the whole San Fernando Valley. During that era, there were some 75+ gangs in the valley, and each were at war with their own respective enemies, but they all had as a common enemy La Mara Salvatrucha.
In knowing that the  MS Fulton clique was the universal enemy of all the SFV gangs, it created a mindset within the Fulton Locos which hardened them and turned them into a very vicious and violent clique. Those years of being on everybody’s scope made them not trust anyone, and that’s why in 1993 when Satan was approached with the invite to attend the meeting of SFV gangs, his military and street sabe instincts told him that it could be a trap, and to plan a way out; to have an exit strategy, or at the very least -in a worse case scenario- to ensure that the MS Homies de La Fulton would not be the only ones ending up stretched out on the streets because of an ambush.

On Halloween night, 1993, two mediators were able to bring together for the first time ever, dozens of SFV gangs and drew them to a meeting at a park in the Pacoima neighborhood. Not one single violent problem occurred during that first meeting.

The mediators were the ex-kick boxing world champion, William “Blinky” Rodriguez and his socio Big D. They had been compas since infancy, and both had been players turned born-again Christians. After their conversion, they had embarked on a mission to bring about a peace treaty between all the gangs in the valley; an absurd idea; a doomed crusade, or so it seemed to most heads at the time. But this celestial business had a darker side since both of them had gotten a greenlight from La Eme to gather up the gangs, and La Eme had even assured them the co-operation of the gangs shot-callers. In essence, the Black Hand flag was behind the meeting.


At the meeting, Blinky and Big D preached to the gangs the Good News of The LORD, and invited them to get closer to GOD; they also wanted them (the gangs) to try and resolve their problems through communication; to talk with each other.

And so it happened that the attending media looked at all of that with raised eyebrows and skepticism; they just could not believe what was taking place right before their eyes; it seemed that the impossible was becoming a reality.. From that day on meetings began to take place on the regular every Sunday. As it was expected, La Mara Salvatrucha was the last gang to get an invite.

Satan had been aware of the meetings taking place, and he knew that the invitation for his gang was soon coming; that it was in the works.

SATAN

“They came looking for me; they caught my attention and made some sense to me, so I told them alright, we’ll go, not to make peace, but so no one would say that we were scared to go. I told them that we would be there for next Sunday’s meeting, but they said to hold up some; that they had to go and prepare things, make it alright for us to go in there without a hassle.

We threw a meeting and I said to the Homeboys that it looked like the Eme jefes appeared to be behind this all of it, but that just in case it wasn’t all right, to make sure they took their cuetes with them, nomas.

We were the last ones to arrive at the park, something like 30 of us went in, and another ten or so stayed outside; those outside had the fuscas, and they knew what they had to do in case things didn’t work out right. The gang of us went in there saying, salimos o no salimos!

The park was full of gangs, and everybody stood up and took notice when we walked in, some of their homeboys right away started talking shit, but nothing happened. There was a lot of media there, and when they got word that it was La Mara walking in, right away they focused in on us. But the Homeboys blew them off, and didn’t respond to their barrage of questions; neither did they pose for pictures like they wanted us to. One of the event organizers asked me to remove my lid out of respect.”

Just so as to be real clear to everyone there, who it was that they would be talking to at the meeting, Satan had walked in there all dressed down, and on his lid it read “fuck everybody.”

The Fulton shot caller had gone in to that park with an attitude of defiance. Blinky worried that the words on that hat would spark up some serio pedo, so he asked Satan –with the best manners and words possible- for him to remove his hat. El Satan agreed, without giving it that much importance.

And so it was that first day of peace for La Mara Salvatrucha.

There are those in the generic world who believe que La Mara Salvatrucha was born on 13th street, west side of downtown LA., Even the presidente of El Salvador, Mauricio Funes, has said it in public without a blush. The problem is that 13 street doesn't exist on the west side; in its place –in this huge metropolis filled with avenues, streets and alleys filled with gangs- is the exquisite Pico Boulevard running parallel in-between 12th street and 14th street which appears and disappears from block to block on the city map grid; symbolic of the restructured and redeveloped city landscape, but there ain't no 13th street there.

Then there are those who believe que La Mara broke off from 18 Street due to some internal problems. That’s how it happens many times in the world of great promises and in the streets of glory where fragile loyalties exist, and all the gangs live under that everlasting reality of dealing with their own internal politics which at times break them off each other.

18 Street itself was born at the end of the 1950s; born out of a rift (fracture) with the veteran C14 gang. Clanton 14 was born in the early part of the century, and by the 1920s, they were a well-renowned force on the streets of LA., C14 is one of the oldest LA gangs still keeping it going, both in the city, the state and even in the far-wide spaces of the continent.

But none of the MS history was like that, because in fact MS was not a break off of 18 Street, and neither did 18 Street spawn it. The true fact about the 13 in MS13 is plain and simple; allegiance to La Eme y nada mas! Eme being the Lords of ALL the Southern Califas Latin street gang system.

MS was late, very late in getting their 13 stamped on, but it was because they had done well without it for a long time; a decade’s time. They hadn't cared for it, and they felt that their attitude and numbers could hold them up forever.

In the late 1970s La Mara were just bands of disorganized Centros; raggedy heavy metal rockeros doing drogas. MSS fell in with the label of the times – Los Stoners- same as many others around the city like the Mid City Stoners and The Hole Stoners from East Los. Los Stoner groups were everywhere; smoking, toking, drinking, puro jugo y mota and whatever. The Stoners were at every barrio park in the city!

In those early years not one of the Mara Stoners was above 18 years of age. Most Salvatrucos had in fact just barely arrived here. They had landed here clinging to their jefitos pants and chuyitas skirts; running from the war back home; running away from the pobreza. They were among the most recent arrivals to the great big City of Angels, and as yet, they could not even claim a piece of corner concrete; much less, claim any territory. The streets they landed in were filled with Afro-American or Mexico-Americano gangs.

Even to this very day, to speak of the Mara Stoners is to invoke the pure unequivocal and most authentic history of the gang. Inside La Mara those still with the hazy memory of early history will still pass it down going back to the Pico Union and Westlake neighborhoods starting out as the MSS –Mara Salvatrucha Stoners- the original gangsters who got it together. All those first originals; all those early first players, none of them remain alive, they’re all gone, they’re all D.E.P. (Descanza En Paz).

That is the prestigious inheritance in which every initiate is jumped-in to. That is the conscientious worded tradition of the varrio, as it is passed down. Not no break off from Eighteen Street, not anything else but a pure Salvatruco Stoner background having to step it up and do battle for survival. That is straight Mara Salvatrucha pride!

Hazy histories are somewhat on the regular in the Lore of the Barrios, but it is well documented in LAPD records; the memory of the MSS groups going back to the year 1975, and even UC investigator Tom Ward vouches to the existence of MS crowds forming the nucleus of cliques, as early as the year 1978.


But there’s really no set time stamped for the start of MS; Some of the oldest still walking the earth Salvatrucos attest to the fact that at the end of the 1970s, the original crowd hanged out at the 7-11 at the corner of Westmoreland and James Wood (9th Street). That was the very first organized clique of La Mara Salvatrucha; some dozen Stoners who habitually kicked it at the spot. The names (monikers) of the original crazies are somewhat blurry, and yet even to this day, whether in El Salvador or LA, the Westmoreland Locotes still jumps in vatos into their clique. Traditionally, that was where it all began.

A lot of the young Salvatrucos had nothing more going for them other than rock concerts and to raise their fist in locura, throwing up the devil horns. That was it, no mas!

Salvatrucos back then considered themselves nothing but rockeros (stoners). They wore torn-up jeans, long hair and t-shirts with heavy metal rock bands lettering on them. They considered themselves like every other white or rocker kid on the American continent; a rebel of society. Mara Stoners would get into fights with other kids that acted and dressed up like themselves. They did 459 audible, stole from cars, and some even committed 211 silent to support their needs, and they began to build up for themselves a bad ass reputation at the local schools like Berendo Junior High. Berendo is just like 4 blocks away from the cross streets of La Pico and Normandie; the heart of Immigrant El Salvador.

Nearing the Spring of 1984, the start of the LA Olympic Games was about to happen, and City Hall implemented an undercover program to rid the streets -on the west side and south central- of any undesirables. Everything and everyone who did not fit in with the picturesque neat city image that was portrayed to the world had to be removed or scooped up and locked up.

In the midst of the Cold War era, in a planet with the shadow of nuclear holocaust looming overhead, LA represented a West versus East showcase, and nothing that detoured from that view was to be allowed to be seen. The City of LA had to present a scene of peace and security. The gangs had to be cleaned up from the streets, even if that was only for a few weeks time span.

The streets became like militarized zones with Police roadblocks and check points erected everywhere on the regular and street sweeps conducted on a nightly schedule. Dragnets happened all the time and all the habitual suspects were rounded up to be sent away for the summer. And the biggest and hardest black or chicano gangs were the first to be targeted. They were top on the list of the hidden agenda.

By the start of the Olympic Games the LAPD had decimated the gangs. The system had locked up so many of the hard cases and driven away so many others that it was scary. Shot callers were the first to go. Left without its main membership the Chicano gangs in the years of 1984 and 85 not only had to grapple with their internal clique problems, but they also had to duke it out with thee many other new up and coming neighborhood ethnic gangs like La Mara and AP. The void created by PD Special Forces all played out to La Mara’s benefit. La Mara then began to get organized and to install itself. La Mara of those years did not suffer the targeting by those same Police forces, neither did they suffer the internal conflicts of the established system in the gangs. All they (MS) had to worry about was to get Guanacos on board and organize them solid.

So without their main heads and solid gente, many of the Chicano gangs during those mid-80 years had to struggle hard on the streets. But La Mara didn’t have those same problems todavia. It had nothing but recruiting to do. And every day, more and more Salvatrucos arrived, and with those increasing numbers, the next step was to take over territory, make it safe for themselves to operate. Take over with fist and knives; take over with guns and terror, take over as much safe ground as possible; that was the mindset of the first people from La Mara Salvatrucha.

Already by that time (the mid 80s) La CHELE was a made member of La Mara. Even though she had been born back in El Salvador, she had been raised in LA. Early on in her tiny years, she was made fun by other immigrant kids because she didn’t speak Spanish that well, and she didn’t know all those games kids played back there. By the time she was eleven a friend of hers from school wanted her to clique up with 18 Street, but she wasn’t into that as yet. Then by age 13, she was ready; she had gotten tired of being jumped and hassled by the youngsters from the other Chicano gangs around, so she decided to throw in with La Mara crowd.

Sam, El Aguila (The Eagle) –the mascot of the Olympic Games- is the culprit (es el culpable) of what La Mara became, she relates with a smile on her face.

"You know, everyone has a diff version of how La Mara went and took over territory from the Chicano gangs. Gangsters today will tell you what they heard or what they were told by their older homeboys; and even the young Guanacos Salvatrucos will tell you tall tales of how their older homeboys filled with valor and a warrior spirit battled for each corner and took over streets and alleys from the Mexican Style forces; of how MS took down all those weaker and less crazy crowds on the streets; made an impact, and a name for themselves; and so the story goes!.. But then.."

But then, there are other less epic versions. Like the one from a PLAYBOYS veterano; El Flaco who tells it like this, that in the early 80s; He was with the PBS Normandie Locos clique who controlled the spot at Normandie and 8Th Street, and the youngsters from MS where just that, youngsters left alone, guests at their house. But then he got shot up; went to the hospital and after several surgeries he still ended in a wheelchair. Then after several long months in the hospital, when he got out, all the homeboys from the clique had either been locked up or had scattered. His old clique was almost all gone, and La Mara had taken over; La Mara had been a guest in their territory, but in the absence of any true PBS competition, they had gotten up and set up their own Normandie Locos clique `~> which went on to become in history one of the strongest MS cliques of all times, thee “MS13 Normandie Locos”

All in the absence of the PLAYBOYS on that street corner!

It was months and years of growing pains for Salvatruchas. Those from the mid-80’s all say the same thing, that the chicano gangs around did not care much for them, and they were always getting hassled. It was like instant hate against any guanacos. Salvadoran immigrants presented an easy prey for the old mexican  immigrants and negros. It was as if the role which the gabacho americanos once played, was taken over by the brown chicanos playing the american versus the wetback. That was the attitude that chicanos had against salvatruchas.

When los Maras would hit county or the pen, they would get mad ridiculed for their ways and slang; Salvatrucos had a vernacular that bordered on the vulgar side; they had all kinds of crazy words that just didn’t go with the norm, words like vergo and cerote and ways of phrasing them which not only were they unfamiliar to chicanos, but also was considered below the talk used by the brown raza around. But it was those same differences they had with the chicanos and mexicans, and all that rejection which also helped them out in getting it together and forming one big powerful group.

Them getting jumped all the time by other chicano and black gangs brought them closer to each other. After the beat downs, they started to gain courage and strength, they started to wisen up, and with every passing month, la Mara grew and grew. La Mara was not accepted by the other ethnic groups, but with every passing month, it was getting harder and harder not to recognize them as a force out on the streets; a force which a lot of varrios and sets had to deal with on the regular. Soon, la Mara began to acquire a vicious fame. At a time when a lot of the street fighting was done with switchblades and chains, los Maras began to use machetes, and even walked around carrying achas.

As time went by and more and more young salvatrucos would get busted for small shit and get sent to juvie, their metal rocker stoner look began to disappear, and the chicano gang style began to take hold of them; It began to take over them and started molding them into the recognized califas gangster style from old; Their long hair shaved off when they hit the joint, and isolated from their metal maras on the streets; outnumbered and outmuscled on the yards, the salvatruchas had to really become truchas and change it up; they started to fall in line and learn the codes of the south siders, and they had to learn up on the sureno ethics; they d to roll with the old chicano gang ways and began to blend in with the style, both on the inside, as well as on the outside. They transformed themselves, and they draped themselves with the chicano look, and they adopted the chicano ways of doing things.

In those early years on the streets of LA, los Maras were slowly adapting and integrating themselves into the order of things, but it was while doing time that their real educational process took them to the next level; doing time finally threw them into the mix and helped them out with their gang education; the gang logic of LA became complete and set in.

If the “system" was one that categorized and bunched them in together with the chicanos and labelled them all as latino or hispanic gangmembers, then why not take on the role for reals and dress the part, talk the part, and walk the part. It was as if they convinced themselves that it was so, meant to be, and so let it be; Mara Salvatrucha gangsters instead of rag-tag stoners.

By the year of 1985 the various Locos salvatruchas cliques had left behind the rockero model, the identity, and the brand name of stoners, and in the following years they jumped in fully with the routine of the calles of dope dealing in the parks and street corners. Los Maras either slanged chingadera themselves, or they taxed the dope dealers in their turfs.

For the Maras to control the streets did not mean nada if they weren’t making any feria of it. Having pleito with other gangs around them was to take over control in all the street life categories. Violence meant a presence, a presence meant control, control meant cash, and cash meant power. With cash you could have it all, the power and everything that goes with it, cuetes, drogas, ranflas, rucas, negocio and more power, mas de todo!

La Chele remembers and tells it like this, of how the homies coming out from la torcida would teach all the youngsters and new members the art and tactics of intimidation, and how to use that intimidation to gain control of the streets. The older veterano homies had learned their skills behind bars, thru long school conversations behind the four walls; they had learned the ways from other hard time gangsters.
La Chele herself, after somewhat of a short time served, when she got out, she was put in charge of putting things in order with her clique. The clique had been losing feria and were coming out short all the time because the mensos were only going out to collect from the locos aventando in their area only once a week.
The homie mas chingon from the clique put up the argument that how she was gonna know how things were out there when she had been locked up and had barely came out? But she put it down and set things straight, La Renta Se Cobra Cada Dia – The Rent Is To Be Paid Every Day! -and besides that, quit riding around in that flamed up pick up truck of yours ‘cause everybody out there selling spots you a mile away and they bolt when they see you, so nobody pays nada!

The rules were laid out clearly after that, and the word was sent out. Of course everyone dealing already knew que ondas, but everyone had been winging it. But once they were put on notice of “paga o balas” that was it, everyone fell in line or moved out. There were no options, no free-wheeling and dealing anymore. Once it became serio pedo with the rent, everyone paid on time every day!

Of course there were always those that tested the waters and tried to say fuck that, but La Mara treated their zones as a negocio, so todos had to register and pay their taxes. A business has to obtain their permits and pay their dues to the city and government, right? Otherwise the law will come down on you sooner or later, and so tambien, the same shit would happen to you with La Mara, they’d come down on you if you refused to pay. There were always someone who had to be given some cachetadas to make them understand, the same way a pimp would slap one of his hoes to set an example. So in essence, it’s the same thing con la ganga; it is a reflection of society; you play, you pay, and the Mara was there to make sure of that.

The police would be the ones to tell you if there were murders committed by La Mara while in the process of controlling. Violence of that type has always been bad business –it brings too much heat to a spot, but then again none from La Mara have ever been accused of having a Master's degrees in Business Administration, so it’s true that it happened from time to time, examples had to be made; that is part of the nature of the beast, que no?

To be continued...



CHUCOS e PACHUCOS

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what does "pachuco" means to you?

a lot of people have associated it with the zoot suit and the 1930's - 40's era

and when you read most of what's out there on the web and in popular writers books
you come out with the same referencing, that pachucos came from El Paso, Texas
and that, that's where it all started

even myself didn't know any better than to take it only that far back

the whole key to the matter lies on ~> what does "chuco" mean?

yeah, chuco, instead of pachuco

pachuco is simple

el paso was nicknamed el chuco
and people from juarez mexico heading into el paso would say
vamos para el chuco
shortened under mexican ways of speech as
~> "vamos pal chuco" .. (heading over to el chuco)
and eventually shortened the -pal chuco- even more so, to say it as pa'chuco

so we know el paso was known as el chuco early on in the last 1900s century
and el chuco gave rise to the pachuco name for mexican gangsters of the 1930s - 40s LA era

what does "chuco mean?

^ ^ that is the key to the whole thing

chuco was originally something which had very little to do with the american zoot suits & drapes
something/someone with a whole lot more meaning than what the american media of the times
and even today, have cared to address or understand

and without that understanding., all is void and null
relegated to misunderstandings of the chicano mind

IMO

so the question is, what does pachuco mean to you?
and like a high school book would ask.,
how is it relevant to today's history?

VARRIO LA RANA

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LA RANA

Everyone in the Harbor Area knows or has heard about LA RANA in Torrance.

La Rana is one of those Varrios that have been dying off, but never really goes away. You hear about them, but you never really see them, or so it goes. Even so, they’ve managed to make the headlines from time to time. La Rana must be a real tight-knit family oriented varrio these days. Their neighborhood history goes back to the 1920s/30s, but the varrio is more well-renown for its crazyness during the 1950s and 60s. It managed to stay active well into the 70s, but by the 1980s it was mostly gone, mainly on account of the heavy industry that blew up around their neighborhood. Even though the barrio did grew up amidst industry; Nevertheless, the new industry took over more and more lots and pieces, and its streets disappeared, with many of its homes done away to create new and wider streets., To where eventually all that was left of La Rana is the strip between Van Ness Way and Crenshaw along Del Amo Blvd. That’s all that remains today of the old La Rana, some 100 homes along that strip. That’s if you don’t count the neighborhood area where V204ST (Southwest Village) is located at.

La Rana once roamed all the zone in-between Dolanco Junction (TxFlats) on the east; 190TH on the north; Torrance Blvd on the south; and west to Madrona/Prairie Avenue. But VLR has always been centered on Del Amo Blvd. The place is completely surrounded by industrial plants and business parks these days. Mobil refinery on the north, Dow Chemical to the west, PS Business Park and Honda R&D to its south, with Van Ness Avenue and another business park cutting it off from V204TH.

La Rana is said to have adopted the name because of a near-by little lake or pond; some have even called it an old swamp area, where you could hear the frogs croak and sing through out the night. That little lake of a pond was there going back to the 1800s.

The area was known as El Pueblo; hence the name of the Pueblo tiny little Recreation Center , dead smack in the middle of the neighborhood. In fact, Del Amo Blvd was oldenly known as PUEBLO street (Camino del Pueblo), when it was still a small dirt street back in the (Mexican Village) days.

http://www.flickr.com/photos/80643375@N00/280246500/

I’ve never known what cliques La Rana ever spawned, but looking at that rare Flickr picture of that gutted and worn out small market wall, there’s a placaso next to all the La Rana hit ups that read “ROAD GENTS”; Thus I wonder if that had anything to do with Del Amo Blvd ~> The Road to La Gente de La Rana (?)

On a hot sunny weekend if you pass through there you’re bound to see firme ranflas on those driveways of the strip, not in every house, but there’s some, even though today those homes on that calle don’t look ghetto barrio looking shacks or anything like that.

La Rana you could say is the only true "City of Torrance" Varrio because the other main Varrios in Torrance are really L.A. “Harbor Gateway”.

La Rana (Del Amo Blvd.) is technically in the section of town which is considered “East Torrance”. East Torrance goes from 190Th to Plaza Del Amo ~> entrance to the village of “Barrio East Side Torrance” on the southernmost tip of the town. I wonder if that has anything to do as to why there’s some real animosity documented between VLR & BEST (?).. since they’re both really from the same “SIDE” of town, on opposite corners, of course.

La Rana most definitely hates TxFlats, and they have also been known to put the clamp on V204TH.

V204ST is something of an abnormality in the area politics, since both La Rana & TxFlats are said to claim suzerainty over them. Both Varrios claim to have spawned V204TH, but I would lean more towards VLR getting 204 started, because I used to work with this vato from La 204 who told me so. The thing is, eventually, and like it happens everywhere else, V204TH went on a solo career, and then they went on to make the headlines that you all have read plenty about. But if 204 would of stayed VLR, it would of most definitely kept La Rana on the mainline of the streets in the Harbor Area. But as it stands, La Rana is the enigmatic old Torrance varrio that refuses to go away.



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Old Neighborhood Has Long Outgrown Barrio Status
El Pueblo Thrives, Surrounded by Workaday World

May 05, 1985|JULIO MORAN, Times Staff Writer

TORRANCE — The face of industrial Torrance is changing after nearly 75 years. So, too, is El Pueblo.

Surrounded by industrial activity, El Pueblo--which means "the town" in Spanish--remains a residential island in a sea of warehouses and factories. But rather than being deserted or rezoned for industrial use over the years, El Pueblo has blossomed into a vibrant, well-kept, close-knit neighborhood.

And except for the shadows cast by the Mobil Oil refinery towers on one side and the frames of multistory warehouses going up on the other side, the 111 homes along Del Amo Boulevard between Crenshaw Boulevard and Van Ness Avenue are typical of other middle-class neighborhoods in this city.

"When it comes down to the nitty-gritty, we are Torrance," said Ruben Ordaz, 57, a lifelong resident of the area and president of the Pueblo Homeowners Assn.

Early Reputation

The neighborhood is also called Del Amo and La Rana, which means "the frog" in Spanish and got its name because a nearby pond was once full of frogs. The neighborhood has overcome a reputation as a poor, tough barrio and come to be considered a community of concerned homeowners whose votes are courted at each local election.

"The politicians know that we got about 100 votes," said Ordaz with a smile. "We usually vote in a bloc, so when we call we get a quick response."

Getting a bloc vote is easier, Ordaz said, because many of the residents are related. Ordaz's father, who moved here in 1925, still lives on the block, as do his uncle, aunt and several in-laws. When a family member dies, property is usually passed on to a relative.

Property values are slightly lower than in other neighborhoods in the city, but it still costs about $120,000 to buy a two-bedroom house here. An empty 50- by 100-foot lot has recently been appraised at $20,000.

High Offer for Home

"What do you think, just because I live in La Rana that I live in a shack?" Irene Ordaz, Ruben's wife, said she told a friend recently after the friend expressed surprise over her four-bedroom home. Ordaz said they have received offers of up to $150,000 for their home.

And the crime rate, once a major problem, what with youth gangs and drug dealers during the 1950s and 1960s, has dropped. Last year, a community watch program was organized.

Torrance Police Sgt. Wally Murker, a community relations officer, said the area may still have more drug problems than many sections of Torrance, but other neighborhoods have more burglaries. "I couldn't say it was any . . . different than other neighborhoods in Torrance," he said. "There are a lot of good people living there and they've got a good community watch program."

For the most part, living in the midst of industries has not bothered the residents. In the early years it was a matter of not biting the hand that fed them, Ruben Ordaz said, so residents tolerated the industrial noises and smells. Today, tighter pollution controls have eliminated most of the concerns, and the residents have learned to live with what remains .

Grew Up in Area

"Sometimes you wonder if your coughing is not because of Mobil or if your house is not going to blow up," said Joe Torres, 42, a receiving clerk. Torres grew up in El Pueblo, and except for a few years right after he got married, he has remained in the area.

But the possibility of industrial accidents is not a major concern. "My kids talk about it sometimes, but they also talk about nuclear wars and earthquakes," Torres said. "It's at the back of your mind, but it's a way of life here."

Surprisingly, there has never been any serious talk of rezoning the street for industrial use, city officials said.

"It's almost like a historical area," said Jeff Gibson of the city planning department. "I don't think it will ever get rezoned."

But city officials did not always look so kindly on what was originally referred to as the Mexican Village.

According to the book "Historic Torrance," land in the 1920s was designated for five uses: business, residential, industrial, unclassified, and "special quarters for non-Caucasians." It was in the "foreign quarters" that El Pueblo developed as the residential district for the Mexican labor that worked at Columbia Steel and Pacific Electric Railway.

Treading on Constitution

The book says Jared Sidney Torrance, the city's founder, admitted in his autobiography that segregation in his fledgling town "tread pretty hard on the toes of the Constitution of the United States."

Even former Mayor Albert Isen, whose father and uncle built the homes in the 1920s so workers could walk to the steel plant half a mile away, said the houses were "substandard, because that's all they really wanted and all they could really afford."

Ordaz, a former steelworker and now a custodian with the Torrance school district, said the homes remained in poor condition for many years, primarily because of language and cultural obstacles that kept residents--most of whom came from the small Mexican town of Purepero, Michoacan--from acquiring building permits for remodeling their homes.

Now those houses have been passed on to family members who are U.S.-born and who speak English. Many of the homes have been improved, and Del Amo, once a dirt road, is now a four-lane street with a center divider.

Spanish, once the only language spoken on this street, is hardly ever heard now. Even the one weekly Mass celebrated at St. Joseph's Catholic Church at the end of the block is said in English.

MARA SALVATRUCHA 13

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MS13 ~ LA MARA SALVATRUCHA

The word “MARA” is synonymous with “GANG” in both Central America & Southern Mexico, but the origin of the word derives from the word “PLAGA” (plague or infestation), as in large numbers such as a swarm, a crowd, or a throng. It was taken from a 1960s film titled “MARABUNTA”, which was about “Killer Ants” from Brazil. And subsequently it became used for describing in a derogatory manner, the groups of youth (gangs), who perpetuated many of the street crimes in those days. By the 1970s, the name MARA was fully adopted by the street gangs in El Salvador. But these were cut short because of the civil turmoil which culminated in the Civil War of the late 70’s. The exodus of people from El Salvador to the U.S. finalized the adaptation of the name MARA for the Salvadoran youth gangsters in L.A. The rest you already know about.

La Mara Salvatrucha es la mayor pandilla de El Salvador, aglutina aproximadamente al 70% de todos los pandilleros del país. Tiene unas características propias muy determinadas. Fue creada en los años 80 en California por emigrantes salvadoreños, como respuesta a las pandillas ya existentes en area de McArthur Park y Pico Union de Los Angeles.

El significado del nombre “Mara Salvatrucha”

La palabra 'mara', se emplea en El Salvador con el significado de “gente alborotadora.”
'Salva',deriba de Salvadoreño. Y finalmente, 'trucha', viene a significar listo o despabilado.

En la zona de Los Angeles, la Mara Salvatrucha adoptó el número 13, ya que esta zona está controlada por la Mafia Mexicana, la cual se le associa el numero 13, el cual tiene el significado correspondiente con la letra M del alfabeto Americano y es synonima con M de Mafia Mexicana.

San Francisco es territorio de Nuestra Familia, la cual usa la letra numero 14, significativa y synonima con N de Norte y Nuestra Familia.

Por esta razon en el norte de California la MS se afilio a los rangos del Norte, y adopto el numero 14 as sus iniciales de barrio. ~ Ex: “MS14”

Tanto la Mafia Mexicana como Nuestra Familia, son organizaciones que ejercen control sobre casi todas las pandillas Latinas desde las cárceles en sus respectivos territorios de California.

Así es que la Mara Salvatrucha "está dividida en dos."
La MS 13 en el Sur de California, y la MS 14 en el Norte.

Al finalizar la guerra civil Salvadoreña, los jueces de la zona de “Los Angeles” comenzaron con una practica de deportacion a pandilleros de estado indocumentado en el pais y vueltos a El Salvador. Y es de esta forma en la cual la “MS 13 Sureña” se instala con fuerza en el país, mientras que la presencia de la “MS 14 Norteña es mínima e insignificante.

Junto con la MS13, también llega a El Salvador la Calle 18 (18ST), una mas entre las pandilla más poderosa de Los Angeles. Asi mismo la guerra que mantenían estas 2 pandillas en las calles de Los Angeles, se translada inmediatamente a El Salvador.

La Mara Salvatrucha se considera a si misma como la pandilla auténtica Salvadoreña, y piensa que tanto la 18 y las demas pandillas aliadas o enemigas, son de origen extranjero, “concretamente Mexicano.”

~" LA MARA SALVATRUCH STONERS 13 "~


Around the mid-80s, the Mara Stoners gang was not yet very large; however, with the influx of Salvadoran nationals who escaped to Los Angeles to avoid the Salvadoran civil war, the MARA grew rapidly, especially in the Hollywood and Pico Union areas.

The Mara Stoners during this period was formed mostly by homeless and unemployed Salvadorans on the streets, wearing long hair, listening to heavy-metal music; a cultural taste stimulated by the export of American culture into El Salvador during the military conflict than engulfed the small nation during the decade of the 1980s.

By 1985, the MARA STONERS aka MOB STONERS gang, had become well known as the MARA SALVATRUCHA STONERS. They devised a gang initiation ritual which consisted of a jump-in that lasted thirteen seconds, because thirteen was “an evil number,” and their logo became the heavy-metal sign of the devil, two fingers up.

MS was born on Westmoreland and Ninth, with a first clique known as the 7 11 Locos (for the 7-Eleven where they hung out). Then they expanded toward Leeward and Hollywood, forming the Normandy Locos, then the Berendo Locos, then down by Western, MLK and Vermont, the East Side and South Side cliques joined in. By 1988 the Normandie Locos had become one of the biggest MS cliques ever.

One of the Mara’s most hated enemies were the DRIFTERS. Whereas the first MS cadres were known as stoners, the DRIFTERS were known as disco freaks. (The DRIFTERS had a distinctive dress—Fila shoes, baggy khaki pants, white undershirt, and a baseball cap with the letter D on it.

While the Mara had many enemies—they also had uneasy alliances with other gangs.

One of their allies was the FEDORA STREET LOCOS. The Locos were not actually a youth gang but a lose collection of drug dealers who sold drugs on Fedora Street near Olympic Avenue in Downtown Los Angeles. Many of the Locos were Salvadoran, and virtually all were older vatos (over 18 years of age). Members of MS, would help the FSLocos by hiding their stash for them and by investing some cash into the drug trade. The FSL and MS had a business relationship. Later, however, some members of the Mara began to steal drugs from the Locos. These MS were later found dead—each shot three times in the head—and the Mara retaliated by driving the Locos out of Fedora Street.
In a short time, only members of the Mara were selling on the street.

In 1985, MS went to war with the Crazy Riders-- whose turf was at Third and Normandy. They went to war not on account of drug spots or drug business as some versions claim; But because Rocky, an original MS founding member, was shot dead in a set up by some girls from Fourth and Normandy. It was never about “business,” it was about “vengeance for the dead homie. Soon the wars expanded into a bloodier conflict that involved 18TH Street.

At first, the 18TH Streeters, located from Venice up Hoover to Alvarado, originally were of a predominant Mexican membership; but they eventually opened their doors for Salvadorans to join their ranks. And these young Salvadoran who joined 18TH Street, added great numbers to their spreading cliques.
Until 1992, MS and 18TH Street had a lose alliance, Salvadorans were welcomed into 18TH Street, making it the first multi-cultural super gang. Many families even had members in both gangs. Nevertheless, by the early 1990S, MS had grown significantly in size and was ready to challenge 18TH Street for dominance. No one is sure where the spark was ignited. Perhaps both sides had gotten too big for comfort; but following an incident over a girl which claimed the life of Shaggy from MS, by a vato from 18TH Street, and soon after talks to prevent a war collapsed, the MARA SALVATRUCHA decided on “to hell with 18 Street,” and Shaggy’s clique retaliated. This set off a war and a battle for control of the Rampart area. The violence between these two gangs escalated and drew in several other gangs into the conflict, expanding the war into a bloodier conflict; one the worst gang wars in L.A. history. A street war in which the death toll surpassed the 100 count. By 1992, there was no clear winner; however, MS had gained control of some of the Rampart area.

Wars for drug trade or wars to avenge the fallen homies, the killing was happening because the killing was happening.

In 1993, MS becomes formally aligned with the Sureno camp and incorporates the number 13 into its gang initials to signify its alliance with the Mexican Mafia. By this time the mood on the streets had changed profoundly, mostly the result of incarcerations. MS vatos who went in Juvenile Hall with long hair came out bald and speaking Calo. The new look assimilated the Chicano prison dress style: clean creased shirts and creased up Dockers. There was even a different stroll, slouching back. They grew goatees, cut the hair short, slicked back with Tres Flores hair grease, no more petroleum jelly.
Tres Flores with a palm comb-that’s what they wanted. The system was shaping the MS membership, replacing the old stoner look with the Chicano Homie Style.

Indeed by the early 1990s, MS13 had attained a reputable notoriety in the local gang scene; but with that same notoriety, they found themselves in an urban world, in the most congested barrio west of the Mississippi, surrounded by new enemies and locked in battle after battle, day in and day out!

EL CHUCHO CHUCO

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EL PACHUCO CHOLO

To understand who the real chucos were, and how they came to be, or even what chuco means, you have to get into the history, the attitude, and of course, very much the talk that they expressed themselves with.

The Pachuco has gifted us modern day raza with the old aged calo talk; a talk that is continuously being re-invented, but still firmly understood by the average mexican or mexican-american from the lower barrios.

From that way of speaking we get slang like cola de raton, which today we more commonly refer to as brocha (Eng. Brush) in reference to a mostachon, a big thick brush like mustache; the kind you see in those pictures and images of chicano heroes like Emiliano Zapata or the arch-type vato loco from the varrio.

To simply label a chuco as a swaggo zoot suiter swinging to el tango all wango on the dance floor, would be a critical mistake. It would bury under falsehoods the true heart of a rebel tribe (raza).

El Pachuco has been popularized and glamorized under the spectacle of hollywood type folklore trying to sell it to the world as a latin boogie woogie mexican–american gang member. The pachuco under this type of looking under the microscope becomes the pinnacle of perdition according to the never-ending dope mainstream thinking.

It is well known that El Paso Texas has carried the moniker (el placaso) of El Chuco for at the very least, since the 1930s or 40s. And it is historically credited with having been the birthplace and the progenitor of the Pachuco gang style. But what is not so commonly known is that the true Paso (pass) was once known as El Paso Del Norte, the very one which in present times is the unequivocally city of Ciudad Juarez, Chihuahua Mexico. The true El Paso was south of the Rio Grande (Rio Bravo as Mexicans call it), and not the present days El Paso. Later on in history, the town on the north shores of the river came to be known as such, but originally it was the Mexican side that carried the name of El Paso.

The names for these twin cities later took their modern form under their own respective modern era organized governments, but it was in Juarez that the “tirilones” (suspenders) first started out. It is said that from the Juarez barrios of La Chavena, La Mariscal, El Chamizal, El Tango (downtown), and other colonias, that from here the first chucos (tirilones) would cross over -the Puente Negro (Santa Fe rail road bridge) -heading over to El Paso’s Mexican barrios of La Chihuahuita, Magoffin, San Francisco, and El Segundo (The Second Ward). And it was when they would head over to El Paso that it was heard say “vas para el paso?” (are you heading to el paso?) Which soon after, in the technical simple terms of calo slang, it was shortened and simplified as – ‘vas pal paso?’ And el paso became passuco, as in the old pass – el ruco paso. Passuco then became pa’chuco in simpler terms. Here then, there it is, the birth and coinage of the name Pachuco.

But why if the first pachucos on the Mexican side were called tirilones, why would they then carry over and become pachucos on the American side? Pachuco is one thing, but what does chuco mean? And how were the tirilones baptized with the moniker of chucos in the first place?

The term Chuco was already there before El Paso was baptized with the tag name; note also that pachuco had nothing to do with the City of Tears (Pachuca in the Mexican State of Hidalgo), but it does have a lot to do with the indian language and how the Aztecs, and then the Spanish, and later on the uppity Mexican elites applied derogatory terms for the poor lower class of peoples of the country.

The Aztecs called the Chichimeca people from the mostly un-conquered surrounding areas of their empire, “chuchos” (perros sucios y pordioseros), (dirty vagrant dogs). The Aztecs considered the wandering warrior tribes of the chichimecas as being from a lower class of inferior types of people – uncivilized and unruly.

Chuchos was short for Chichimecas

Chichimecas, Chuchumeca, Chuchurrios, Chuchurria, Chucheria, Chuclas, Chuclos, Choclos, Chuchos, Chucos. All of these names and terms became synonymous with the underclass.

Later the Spanish hierarchy would adopt the Aztec derogatory reference to the “chichimecas” and apply it to all Indians in general, and they referred to them using the same apodage of chuchos, but with the added inference of having a dark color, plus the connotation of being dirty.

After Mexican independence, the following aristocracy of Criolos (Spanish Mexicans) continued to refer to the natives with the same, and then they even expanded it to include the masses of people living in the barrios of the urban sprawls; hence la lengua india was introduced to the urban cosmos where it grew and took on more derogatory appendages.

A chucho became a chuco, a man of bad disposition; categorized as a dirty scoundrel, prone to drinking and alcoholism, of a continuous bad criminal thought process, and a slave to a lower carnal pleasures instinct. As such, el chuco became of use and adopted by even the people from the same barrios, and el chuco became the worse of the worse. A chuco became the boogie man of the barrio streets. He became the one who drinks a lot of mierda, a mariguano, a chueco (crooked one), a depravado (a depraved one). He became everything that a mother wished her children not to become, and warned them to steer clear of.

When at the height of the Mexican Revolution, when the throngs of lower caste people from the barrios escaped Mexico City and the urban areas of the country, and traveled north en-mass to the borderlands, the diaspora included among its hordes, a great many so-called chucos.

These chucos fused and blended together with the rural bandit types, the ragged mutts, the outlaws of el norte; they fused the urban working class bato with the romantic rural bandido, and together they sang la cucaracha and other ruffian mariguano ballads while climbed up on the rufo (the smoking freight train). And so the many outcasts of society who arrived at el paso del norte (ciudad juarez) soon became exposed to borderland survival. These bad youngsters who had formed the rank-and-file of many revolutionary armies, especially those of el centauro del norte (Pancho Villa’s army) became bolas de chucos en las calles (gangs of grimey street kids). And when these street kids would find ways of making money on the colonias and streets of the biggest and most populous border crossing of the American continent, they soon developed a taste for a style contrary to their long poor background upbringing.

They soon began to chuchear (chuquiar), to trap and to hunt; to make a living off the streets. They became like chuecos chicos rucos (old young crooks), vividores, chulos guapos (dandys), popular in their circulos de ambiente, gente de mucha occurencia (wiseguys), con actitud de lambusios (regionalist), knowing all the antros (dives & holes), present in all the reventones (parties) and rumbas (dances) of the city. And when they began to cross the border back and forth during the decade of the roaring twenties, they satisfied their longing for fine trapos (dress clothes), they enhanced their old hidden love for art and theater. They morphed the attitude of the lower classes of people from Mexico and glued it with the knowledge and modernized ways coming in and being brought in to El Paso by the hordes and tons of repatriates and deportees that the US was sending south from all over the land during the years of the great depression.

The cities of Juarez and El Paso swelled with the numbers of people being sent south, while at the same time with the people heading north in search of a better tomorrow. El Paso became like the illegal Ellis Island for Mexicans, as well as the Tombstone and Dodge City for the Americanos; the town became filled with vice; filled with the worse that both countries had to offer. Soon thereafter the gringos termed el paso as “el shit hole,” and the gabachos started calling the notorious Mexican people of el paso by the same name that the old Mexican oligarchy had called them ~> chuchos. But the gringos, in their english pronunciation ways could not get themselves to pronounce chucho correctly, and they pronounced it as chukuo -the shit hole, the place of bad people. So that’s how El Paso became known as el chuco -under the wordplay of chicano chuekadas.

But just like in everything else that the raza touches and incorporates into its world, el chuco became a badge of honor and pride. La raza took el chuco and transformed it into el pachuco; they called the Rio Grand Valley as el valluco, and Corpus Christy as corpitos. They called themselves Rucos (old horses), Tucos (night owls) and before not too long, Pachucos became cholos.

Chucos turned everything they came into contact with into a mutt; a mixture of language, dress, style, music, dance, culture and attitude; their warfare against the ruling class and its system became eternal. They became true rebels of society!

Chuco has the traditional CH of chicanismo words, and with it comes a long history of indian terms of endearment.

You see, in indian ways and in later Mexicanism ways of talk, everything derogatory can be made a term of endearment; for example a fatso (gordo) can affectionally be endeared as chonchito; and so el gordito chonchito becomes no longer derogatory, but an acceptable affectionate way to refer to a fluffy chunky spanky.

So, the bottom line is that El Chuco is basically the same as El Cholo in terms of being a derogatory term used by upper and mainstream society in referencing someone of low status and/or of an undesirable element; as in a cholo “dirty drunken Indian," but under the attitude of old and new chicanismo, those deragatory terms of chuco and cholo, became terms of endearment of sorts by those who carry the names with pride!

To be continued…

THEE LA RIVER in VARRIO LORE

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The City and The River go hand in hand
Can’t have one without the other

What is it about the L.A. River that ignites a spark in old LA’s raza’s hearts?

It is Iconic

It is Symbolic

Not only did the Old Pueblo grow up close to it
But the whole modern mess of a County Megapolis grew up around it because of it
Not to mention the whole bunch of Old Barrios that grew up along the sides of it

The River starts out in the Valle, out there by Canoga Parque
Picks up a little bigger going through Barrio Van Nuys
It then creeps through North Hollywood
Before it gets heavier going down past Berbank
Then it takes a winding curve of a turn heading around the bend past Riverdale (Glendale)
It tumbles through Toonerville / Tropico and Atwater
Then it begins to turn the corner just past and around old Elysian River Valley (Frog Town)
And right about where the old Dayton Avenues neighborhood used to be..
..it heads into the East Side of LA
It then flows through Dogtown and The Flats
Before it start flowing Southeast
Past the L.A. core
Making one last curve at the Old industrial Colonia of Vernon
Before it turns straight south to make its long dash towards the ocean
It hits on that last stretch past Maywood, Bell Gardens, Cudahy and Lynwood
Touching the banks of Paramonte and Unincorp East Comptone
And at last, reaching the sands of Longo

Along the way
Other waters join up with it
Coldwater, Riverdale, Arroyo Seco and Rio Hondo
All flowing down to meet with it like as if it was their destiny
Each one with its own history and carrying their own side of town stories
Stories from A Million things happened – A Million Stories
Stories happened along its river banks

Happy stories and sad stories
The stories of the Barrios
The stories of the Times
Ever changing Times
Somehow, someway, all kinds of stories connected to the River
Past, Present and even the Future yet unwritten, but future stories already felt and known


From the days when vatos hanged out by the River and roamed around
From before there were no River concrete levee walls
To the days when all the puentes spanning it got built
And then into the times and days growing up on the streets branching off on both sides
Calles flashing off like rays from the River like spokes on a wheel

Old neighborhoods grew up next to the River
Old neighborhoods got all torn up next to the River
And then some neighborhoods later went and got rebuilt close to the River
While still some others were not there from before, but rose up afterwards
Some were there, some went away, some got resurrected; still some came along afterwards

But never mind all that, because..
All Barrios in central LA still owe some sort of allegiance to the River

Without the River there never would have been an Old Pueblo de La Raza
Without the Old Pueblo, there never would have been an LA Metropolis
And without an LA, maybe things would have turned out differently
And history might not have been what it is this very day..
..as it related to the Varrios

Maybe things would have started out somewhere else

Maybe(?)

Maybe the center of this South Side Lifestyle could have started out in El Passuco
or San Antone
maybe even La Finiquera
or maybe even in San Pancho up North

Who knows where it would of headquartered at without the LA River?

But as it turned out, it picked up Big right here in LOS
Alongside the banks of the Loco & Nostalgic Wandering L.A. River

The River has been like the Vato Loco from the Barrio
A Wanderer
Wandering through the Land
Wandering through the Times
Wandering in the Minds

Like a Lost Soul
A Lost Angel
Fallen from Grace
Seeking Redemption
Seeking A Comeback

Just like an Old Vato
Grown up with the river real close by
And then that vato becoming like a mirror image of it
Almost like a reflection of its lacking waters
A Wanderer lacking in many metropolitan socio-economics ways
But A Vato never ever dying out
Refusing to go away

Like the river, the vato is remade, reconstructed, rebuilt and forever being resurrected like the phoenix
Dies to Live Another Day!

Just like in the movies..
..The River just like the LA skyline is iconically stamped in movie stardom and people’s minds

The River is inked on the subconscious Heart & Soul of LA’s Southland Raza!

The First LA Barrio Gangs

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The first L.A. gangs in the barrios were not called gangs. Most of the barrio kids got together to have fun and play together, games that had been brought from Mexico, games that the kids today do not play anymore. There were some games that would take five to ten kids to play. All of the games that were played then had names, like El Encantado, which is now called "Freeze”. The difference was everybody would stand inside a circle, and one kid would stand outside the circle, and they would run outside the circle and you would run after them and you would freeze them .This was only one game .There were other ones like the Culebra , Las Virgenes for girls, Tagwar for boys, and some other games that were played in the U.S. like kick the can, hide and seek, and so on .

Toys that were used then were spin the top, marbles, and flying kites; and for puppy lovers, there was the game called Spin the Bottle. Most of these games needed five to ten kids to play. All the toys were homemade .Another favorite pastime was singing with guitars, old folksongs, especially in the summer .As kids grew up a strong friendship was created .These were the Depression years of the 30's.

If you were lucky, and your father was working in the fields, construction co. or W.P.A., which is like C.E.T.A. jobs today, which were government programs, and if there was a little money left, you might get a nice old second hand toy from the Goodwill or from a second hand store. This included clothes and furniture, too.

One of the favorites home entertainments was a Philco. This was an old radio made then .The family would get together and listen to the Philco and hear the programs coming in from Hollywood ,programs like the comedy shows of Jack Benny ,Red Skelton, and Amos & Andy. You would also hear suspense shows like the Whistler and the Shadow Knows and also the Inner Sanctum. There were other shows like Sky King and Lone Ranger. You are wondering why I am mentioning all these shows. . .well, the first time that most barrio people heard the word "gang" was on the radio. The program was called Gangbusters. This program was on every week. It started with police sirens and screeching sounds and machineguns firing. But as far as the homeboys in the familias, they would never call their homeboys and girls "gang members". Like I said before, you would see the word "gangs" in the newspaper, that is if your father or mother would buy it, or else you might see it on the newspaper stands .Then, like now, how many homeboys or girls do you see buying the newspaper to read the news? Maybe some funny books, or movie stars magazines, but not newspapers. Besides most of the fathers and mothers couldn't read English very well. This was in the 30's.

I remember the first time I saw some homeboys imitating and acting like the Eastside kids of the movies, but it was all in fun, at first. Later on I saw my first gang fight between La Mission homeboys and the Hicks's & Hays homeboys. It was what they called then "clean fighting”. This meant no kicking, no knives, and no guns, only fist fighting .Later on in the 40's there was a big gang fight where all Hell broke loose, in a big free-for-all gang fight. This happened in a place called El Rancho de Don Daniel, which was across from El Barrio "La Mission." Tu sabes this barrio was wiped out in the 40's. About two hundred familias lived there at one time .Now it is a very well known park called Legg Lake. For the Chicanos that don’t know where Rancho De Don Daniel was, well this is what they now call Marrano Beach. The only barrio left now is Pico Viejo. There were at one time, three other barrios called Las Flores, Canta Ranas y La Mission.

When we came back to Los Angeles in 1941, after the Pearl Harbor bombing, we moved to First Street and Vignes. At that time Little Tokyo on First Street was a ghost town, all the Japanese people had been put in camps. By this time you could see the Zoot Suiters all over town in the barrios por la First Street y por la Brooklyn Avenue and Whittier Boulevard, riding their old 1936 V8 Fords.

As for barrio cars in 1940, well, the barrio people were not working as much as the whites. Not until the beginning of World War II around 1942, alot of Chicanos were working in shipyards or in sheet metal shops or for manufacturing companies .Some cars being driven around the 40's actually were made in the 20's ,like your 1924 Ford or your 1927 Chevy,1936 V8 club coupe . . .also the '37 Ford , '37 Dodge and Plymouth. There were still alot of Model A's and Model T's .Most barrio people had not been working since 1929, when the Depression started ,except for W.P.A. jobs and farm work ,picking grapes ,walnuts and cotton in the summer , which is why most cars were ten years older or better. The first vato loco cars were called hotrods in the years of the 30’s. Back then the in thing was speed.

In the late 30's and the 40’s, up until the middle of the 50's, there was no place to race your cars , nor were there freeways.


It was done on your highways .The cars were fixed this way- a'36 Chevy club coupe would get its fenders taken off ,no spotlights or skirts on it ,usually a '34 Ford would get its front fenders and back fenders taken off .The best ones were two-door convertibles. Chicanos started fixing their cars .They would put dual pipes, rubber flaps with reflectors on them that went on the back of the rear flaps or license plates, skirts for the cars, one or two spotlights, and whitewalls. If you wanted a low rider, the only thing you could do then was put sandbags or cement sacks in the trunk to make them heavy . . . that was before the metal shocks .Those were the first low riders in L.A. in the 40's.Because of the war you could not buy gas. They would give you stamps to buy gas, food, clothes, and shoes. Most of the cars ended up being parked, because of the gas ration. Alot of people ended up walking on the street or taking the streetcar. If you lived out of town, you would have to take a streetcar called P.E. which stood for Pacific Electric.

In the 40's they stopped making cars. By 1943 the automobile companies were converting their manufacturing to make armor cars and trucks. The last model was 1942.They stopped making whitewalls and many of the parts that were needed for the cars .In fact most civilian manufacturing companies went into war products.

By 1943 most of the people in the big cities like Los Angeles, San Francisco, etc. were working, and in any industrial city, even farming was up. Everybody was busy working, making money.
Thousands of Chicanos had volunteered for the armed services and thousands more were drafted. Everybody had the G.I. fever .Meanwhile, here in Los Angeles Pachucos were getting harassed by the "man”. You see, they saw him like some kind of an oddball while everybody was using G.I. haircuts; he had long hair, plus the fact that everybody that was from a big city was dressed in the same styles. While the Pachuco had the peg pants, chain on the side, they measured 17 inches on the knee, and 12 inches on the bottom. In fact, some pants were so right on the bottom they had zippers right at the bottom by the ankle. Most of the clothes were tailor made .At that time there were alot of tailors in the barrio to get your suit made right. It was the thing; you would see them walk into the shops, check out materials. There weren't that many different kinds of materials to choose from. The most popular was shark skin, the gabardine, the flannel cotton shirts, silk shirts, silk socks, and wide ties, thin belts, and double sole shoes. The double sole was put on the shoes because it was easier to put a double sole on your old shoes, than to buy a new pair because the shoes were rationed. Shoe companies were making combat boots. The girls wore short skirts, blouses with puffed sleeves or no sleeves, and off the shoulder blouses, knitted stockings, flowers in their hair and very white oxfords, and bunny shoes. You see, this is how the Chicano dressed, very neat and clean. They did not conform to the square look. This bugged the law and the school and the restaurant people.

In 1943 there was this incident that happened between the Pachucos and the sailors. By June 3, 1943 sailors were searching the streets for zoot suiters .Although most Chicanos were not wearing zoot suits, they were all considered zooters. There were approximately 200 sailors that were picked up by taxis at the naval base and taken to the barrio .The police arrested nine sailors to make it look good .However, that still left almost 200 sailors to riot and attack on the Chicano community .And on June 5, sailors, soldiers, and marines, along with some civilians, adding up to several thousand turned into a mob and attacked the Chicano communities. The rioting got out of hand and other minorities were also attacked .This was connected with the Sleepy Lagoon Case.

I know for a fact, because my uncle at that time wore the threads that were worn back then. He and several friends of his that had recently come from Mexico and El Paso, Texas were coming out of the Aztec Recording Co. which was on Third & Main when they were attacked by a gang of sailors. These men were all composers and writers and singers that had just arrived from Texas and Mexico. They were not Pachucos . There was another time when I was coming from Olvera Street walking on Main, and I got to Second and Main .A cop, the man with the star hat of that time which was made out of cloth, was choking the Pachuco with his club and had him against the window of a liquor store. While he was choking him, the poor homeboy was slipping and sliding because the thick soles and taps on his shoes were wet from the rainy night. It was pouring, I felt helpless .All I knew was that he was a carnal, and I couldn't help him later on as I walked down on Main Street. I passed the boxing gym , passed the penny arcades and then I made a left on Seventh Street when I got to Seventh and San Pedro , I saw my mother crying and angry .She told me that a marine and sailor had jumped and kicked my brother down .She said that my sister and she fought off these jive punks .She might of not have used those words ,but you know what I mean .You see ,my mother owned a restaurant and bar on Seventh St. and San Pedro Streets .My mother bought this restaurant-bar from a Japanese family that had been thrown in the American made concentration camp. They had to sell this place to my mother cheap. Prior to that, she had a taco restaurant on Second and Spring Street which she bought from a Filipino man. You see, he went to war not by joining the army, but by flying to the Philippine Islands to help his people. I never saw this man again .This is how my mother got the money to buy the restaurant-bar on Seventh and San Pedro from the Japanese family.

In 1941 I didn't think all my Japanese farm working friends were going to be put into concentration camps. What I am really trying to say is that First St. from Vignes and First to Main St., that all the Japanese people were gone .You see; we rented a hotel on First and Vignes. From there on from 1941 to 1945 I made the rounds to the different barrios. For five years I saw the changes in the barrios, I saw the blacks come into First Street, which is now called Little Tokyo. At that time they used to call it Little Harlem. I used to walk down the street hearing blues in the juke boxes and the boogie woogie and see them dance the jitterbug. Walking up and down the different barrios like the Flats, La First Street, La State, La Diamond, La Temple, and La Alpine which was right next to the Angels Flight (streetcar).

We used to cruise on our low riders to Tin Can Beach, on Alameda Street. We used to pass Clanton, 38th St. and El Jardin and used to stop and trip and also cruise through Willowbrook and Watts, and stop at the radio station and listen to Hunter Hancock's rhythm and blues and we would dedicate songs and listen to them while we were cruising to Long Beach and the Pike. We would also hit the games, get on the ferris wheel and walk down to the penny arcades and get on the roller coaster.

This was the big thing to do. They used to call it The Cyclone. It's like the roller coaster at Magic Mountain today. After blowing our money, whatever we had, the vatos and the whisas would get on their hotrods or low riders and go to Tin Can Beach (Bolsa Chica State Park) and have a weenie bake. They would take their old portable radios. They were king size, weighing about ten pounds. I would get my guitar and play some barrio Chuco songs, after jiving and tripping, we’d start making it back home, all the way down Alameda St. to the barrio in L.A. Usually we would end up making a bonfire by burning a tire or some wood. After hours we would end up in a barrio party that had very dim blue lights. You would call it the house of blue lights parties. The records that were played were the old 78's; they were sounds of ballads by Billy Eckstine, soft and easy with the home boys and girls dancing to the mood. This was at the old Macy Barrio. To change the mood we would play some swing records like Pachuco Hop and also Joe Higgins and Honey Drippers. They would also dance to the big bands. The most favorite sounds were Glen Miller's "Chattanooga Choo-Choo", "Tuxedo Junction" and also "String of Pearls", and "In The Mood". Only the Chucos that knew how to dance jitterbug would get up and dance. Another famous big band was Tommy Dorsey and his record was "Boogie Woogie". Some would get up and do the dirty boogie, or the camel walk. Then we would play a slow piece and everybody would make it home .This was around 1948.

At that time Dogtown and Alpine, Hazard y La Clover would go down to Olvera Street to a place called "The Pachuco Inn”. It was a small club next to the post office. Here is where you would see alot of jitterbug contests. Most Chucos would trip around this area.

By Manuel Cruz
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